Q & Artist: Cover Artist Marina Muun
Illustrator Marina Muun
We are so thrilled to showcase Marina Muun, our cover artist for The Symbols Issue. Marina hails from Bulgaria and currently resides in Vienna, Austria. She has illustrated for The New York Times, Tate Publishing, Google, BuzzFeed, The New Yorker, Wrap Magazine, and many more esteemed publications. We fell head over heels in love with her beautiful, bold artwork for our latest cover:
Illustoria # 6: The Symbols Issue; Cover art by Marina Muun
Check out The Symbols Issue to see her beautiful illustrated comic, "The Rock Garden," which combines her fascination with modern architecture with her reverence for the antiquated.
Enjoy Marina's illustrated Q & Artist interview. We're pretty sure you will fall in love with her and her artwork as much as we have!
The Making of a Mural
I visit the Artist and Craftsman in Berkeley (on 2573 Shattuck Ave, to be specific) more than any other store in the whole world. I kid you not, I'm there running errands for my various art related jobs at least once a week. If you've never been, I implore you to hop on your moped, bike, scooter, or heck even Boeing 747 and check it out. Never have been to an art store with cooler vibes, nicer people or more expansive color selection of gouache paints. After a solid year of hard crushin' on A&C (visiting every week, sometimes twice in the same day, and lingering too long in the paint brush section, where I would philosophize on the benefits of the filbert brush) they finally popped the big Q: Would I be interested in painting their Fall window mural? "I'm so down!!" I most likely said, after mopping up the puddle of profound honor and excitement my body melted into.
After proposing a couple sketches, we landed on the one I made of two best friends talking on the phone while making art in their rooms, which is by no coincidence how I spend the majority of my time.
After making a sketch, I scanned it onto my computer and played around with the color in Photoshop.
The initial inspiration for the mural, titled No You Hang Up, was the playfulness and kitschy nostalgia of early 2000s TV friendships like Lindsay Mcguire, as well as my gratitude for my creative group of friends. As I finalized my sketches, I realized I also wanted the mural to be a celebration of the brilliant, loving, and inclusive Bay Area art community that I feel lucky to be apart of. For me, celebrating this community meant paying homage to the vital artists and organizers who dedicated their lives to supporting and building it.
No You Hang Up references Ara Jo, a radiant human being who supported, welcomed and befriended countless artists in the Bay Area and beyond. The mural also makes reference to Aaron Curry, commonly known as ORFN, a prolific and raw creative who influenced generations of street artists. Both artists passed away a year ago, in December 2016. This mural is dedicated to them, as well as artist Jeffery Chung, founder of Unity Press who continues to build and grow community for queer and POC folks in the East Bay.
Painting the mural was such a blast and tremendous privilege to paint, and I couldn't have done without the help of my friends and the awesome crew at A&C. If you're in the area, come stop by! It will be up until the end of December. And if you're an East Bay resident, stay tuned for a zine workshop I'll be teaching there on December 10th!
Why You Ought to Doodle Every Day
Jon Burgerman in his studio. Photo © Bas Berkhout
Jon Burgerman is a Brooklyn-based, award-winning purveyor of doodles and author of several books including his latest, Jon Burgerman’s Daily Doodle. You might recognize Jon’s art from his popular social media channels, paintings hanging in London’s Victoria & Albert Museum, highly-designed airline barf bags, and even a custom line of Crocs™.
This week, Jon joins Illustoria to share some insight into his quirky art style and why he doodles constantly.
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There are several reasons why I think drawing is so vital. By the way, drawing and doodling are pretty much the same. I like to use the word doodling because it sounds more causal, goofy, and easy-going—a bit like me!
Photo © Bas Berkhout
I like to doodle every day because it helps me hone my drawing skills. The more I draw, I gain a better understanding of the materials and my own hands. It’s not so much about becoming ‘better’ but gaining more insight into how everything works together.
Photo © Bas Berkhout
Doodling helps me think. I find when I doodle I come up with ideas that I couldn't come with if I didn't have a pen in my hand at the same time. For me drawing and doodling is a discipline of thinking.
Drawing and mark-making in general is just a different means of thinking and articulating visually. Being able to share ideas visually is very important, especially in our overloaded-with-visual-information-modern world. Almost everything we interact with was once originally devised as a drawing. Doodling helps us learn how to speak visually. It’s a global language.
From Jon Burgerman's Daily Doodles. Published by Laurence King Publishing.
Super accessible and silly prompts for all ages.
Learn to draw from combining simple shapes.
Doodle first, then color in!
Our favorite: Tofu gorilla.
From Jon Burgerman's Daily Doodles. Published by Laurence King Publishing.
We adore this cover and all the ridiculously fun and engaging doodling prompts in this book, which comes with cool doodle stickers to complete and stick anywhere!
Doodling can be meditative and relaxing. It often helps me focus and order my thoughts. Seeing my ideas scribbled down on a page helps me understand them a lot better than juggling them in my head.
But overall, doodling is simple just good fun. Absolutely anyone can do it and get a great kick of it. Creating is fun and it makes us happy. So grab a pen and get doodling. It doesn’t matter what you draw—just have fun, and see what happens!
Now it’s your turn to get doodling. Be sure to enter the #DailyDoodleBook drawing competition from Laurence King Publishing!
To see more of Jon’s work, follow him online at @jonburgerman.
Women Who Draw, Write, and Inspire Us
Images left to right: Louise Bourgeois by Elizabeth Haidle (issue 2); sketchbook drawing by Lisa Brown (issue 3); watercolor portrait by Lindsay Stripling (issue 2); "Dream Before Building" by Lark Pien (issue 1); Beatrix Potter by Elizabeth Haidle (issue 3); Martha Graham by Marlowe Dobbe (issue 2); self-portrait by Nina Chakrabarti (issue 3); excerpt from El Deafo by Cece Bell (issue 1); "Hiroshima Mon Amour" by Britt Browne (issue 3)
Women's History Month is coming to a close, but we at Illustoria think every month should be women's history month! We are proud to pay homage to the courageous, intelligent, and rebellious women who have revolutionized their fields and empower us to dream big. Of recent, we've been thrilled to see collectives and movements such as Women Who Draw creating an inspiring platform for talented women illustrators. Today, we would like to take a moment to thank some of the amazing women who draw, write, and inspire us here at Illustoria.
artwork © Lisa Brown
cover art © Lisa Brown
artwork © Lisa Brown
Lisa Brown
Lisa Brown, the stupendous illustrator behind our Issue 3 cover, is a critically acclaimed illustrator, author, and cartoonist who resides in foggy San Francisco. She is the mastermind illustrator behind Emily's Blue Period by Cathleen Daly and 29 Myths on the Swinster Pharmacy by Lemony Snicket and has written and illustrated the fantastic Depressed. Repressed. Obsessed. 3 Panel Book Reviews as well as Vampire Boy's Goodnight, The Airport Book, and How to Be. (And this is all just for starters!) Brown also featured her sketchbook and mini-drawing activity in Issue 3, which we love to pieces. Stay tuned for more highlights of Brown this spring, in our super-exciting-filled-to-the-brim-with-inspiration Issue 4: The Grow Issue! You can find more of her amazing work at http://www.americanchickens.com/.
artwork © Cece Bell
images © Cece Bell
Cece Bell
If you haven't gotten your hands on the heart-melting and hilarious El Deafo by the genius Cece Bell, you might want to stop reading right now and run to the nearest book store immediately. El Deafo is a graphic novel memoir that tells the story of Bell's hearing loss and subsequent adventures with a clunky hearing-aid-turned-super-power. Alongside this Newbery Award Winner, Bell has published I Yam Donkey, Rabbit and Robot: The Sleepover, and Chuck and Woodchuck amongst many others. We are so honored to have featured an interview with Cece in Issue 1 and a full length Q&A which you can read here. Check out more of Cece Bell's work on her website https://cecebell.wordpress.com.
artwork © Lark Pien; from "Dream Before Building" in Illustoria issue 1, The Beginnings Issue
artwork © Lark Pien
sketchbook art © Lark Pien
Lark Pien
Lark Pien is a Portland-based acclaimed illustrator and the amazing talent behind the Long Tail Kitty series (for which she won the Friends of LuLu Award) and Mr.Elephanter. Pien was the colorist of American Born Chinese by Gene Luen Yang and Sunny Side Up, two graphic novels for young readers that we could not recommend more highly. We are blown away by "Dream Before Building," a mini-comic she created for Issue 1, and cannot wait to share some new projects she's dreaming up for Illustoria. Find more of Pien's work at http://larkpien.blogspot.com/?view=classic.
artwork by © Elizabeth Haidle
artwork by © Elizabeth Haidle
artwork by © Elizabeth Haidle
Elizabeth Haidle
Have you ever met an artist so talented you want to simultaneously: do cart wheels, bake them a 10-layered Boston cream pie, and hold a radio outside their window à la John Cusack in Say Anything? That's how we feel about our genius, prolific, and awe-inspiring Creative Director Elizabeth Haidle. In addition to spinning up magic at Illustoria, Haidle is the creator of Literary Giants As Kids, a fantastic series you can find in each issue of Illustoria, and illustrator of the dreamy Mind Afire - The Visions of Nikola Tesla, written by Abigail Samoun. We absolutely cannot hold our excitement for the release of I, Parrot, her most recent (breathtaking) graphic novel written by Deb Olin Unferth, which she is currently putting the final touches on. We love the ever-busy Haidle, whose work you can find at http://www.docucomix.com/ and http://www.ehaidle.com/
Cloth Lullaby by Amy Novesky, illustrated by Isabelle Arsenault
Iomogen by Amy Novesky, illustrated by Lisa Congdon
Me, Frida by Amy Novesky, illustrated by David Diaz
Georgia in Hawaii by Amy Novesky, illustrated by Yuyi Morales
Amy Novesky
Amy Novesky is an award-winning children's book author and editor whom we adore five trips to the moon and back. Most recently, she has written Cloth Lullaby, a gorgeous tale of the illustrious, world-famous artist Louise Bourgeois, with stunning illustrations by Isabelle Arsenault. She has also written critically acclaimed books including Georgia in Hawaii, Me, Frida, and Imogen. We are so excited to have featured a full length interview with Novesky which you can find in issue 3. To read more about Novesky's work, check out http://amy-novesky.squarespace.com/.
Laurel Snyder
Laurel Snyder is a prolific, critically acclaimed children's author who makes us want to smile for days. She is the author of numerous, joyfully fun-to-read novels for children of which some of our favorites include Orphan Island and Bigger than a Bread Box. She has also written the gorgeous picture books Swan, the Life and Dance of Anna Pavlova and the adorable Charlie and Mouse. You can find Snyder in issue 2, with her biographical piece "Martha Graham In Motion," illustrated by fantastic artist Marlowe Dobbe, about the revolutionary Martha Graham, the Mother of Modern Dance. Check out http://laurelsnyder.com/ for more work by this beloved author.
art © Lindsay Stripling for "The Best Invisible Thing" in Illustoria Issue 2
art © Lindsay Stripling
art © Lindsay Stripling
Lindsay Stripling
A phenomenal woman artist whom we couldn't admire more, Lindsay Stripling works from her studio in the Outer Sunset of San Francisco. We fell in love with her paintings the first time we laid eyes on them for their dreamy palettes, mystical settings, and ethereal subjects. Her folk and fairy tale-inspired narratives lead us into inner worlds that are rich and boundless. We're thrilled to announce that Lindsay's gorgeous artwork will grace the cover of our upcoming issue 4: The Grow Issue--so be on the lookout. Find more of Lindsay's work here: https://www.lindsaystripling.com/
Ruth Kneass laying with the meticulously sculpted pieces of her Bay Tower mobile. © Ruth Kneass
Blonde Driftwood © Ruth Kneass
Nine pieces in collage; a search-and-find activity in issue 3
© Ruth Kneass
Ruth Kneass
Driftwood artist and mobile sculptor Ruth Kneass creates stunning works of art that take years of patience, time, and skill to produce. She shares the story of her mother's influence and her inspiration growing up to be an artist in Illustoria issue 3. A true appreciator of beauty and nature, Ruth infuses her art and life with a feminine love, care, determination, wisdom, and strength that we find simultaneously awe-inspiring and reassuring. You'll find a treat in issue 3, where she disassembled one of her precious driftwood mobiles to create the most gorgeous search-and-find activity we've ever seen! Find more of Ruth's work here: http://www.kneassboatworks.com/
self-portrait © Nina Chakrabarti
art © Nina Chakrabarti; from Nina's upcoming title My Collection of Collections: A Sticker Book
Nina Chakrabarti
We had the chance to interview talented illustrator and activity book creator Nina Chakrabarti and learn all about her inspiration growing up between Calcutta, India and the UK. Born to an English mother and an Indian father, Nina's vivid childhood memories of bright colored saris and streets clamoring with the sounds of trams, trains, and rickety rickshaws; Chinatown and Brick Lane in London; and museums and nature all inspire the joyful work she produces today. In issue 3, she talks about her process creating books such as Hello Nature, My Wonderful World of Fashion, and her upcoming title, My Collection of Collections that will equally inspire young artists and grownup ones. Fun fact: Nina doesn't keep sketchbooks but rather "scribbles on loose scraps of paper, post-its, and newspapers that eventually get tucked away in a box, put up on a wall, or thrown away"! We love her passion for life and her eclectic style, which encourages us to get outside, observe, and appreciate all the diversity our wonderful world has to offer. Find her work here: http://ninachakrabarti.com/
These are just a few of the many amazing women whom we've had the chance to collaborate with over the course of our first three issues. At Illustoria, we are dedicated to increasing the visibility of female creatives by continually supporting and showcasing their work. Additionally, we are committed to promoting women's empowerment in the pages of our mag with stories of both world-famous and lesser-known female leaders from Beatrix Potter to Lee Bontecou. We hope that the stories in Illustoria and the artists behind them will inspire you and the next generation of strong, creative women for years to come.
Creator Crush: Yuliya Gwilym
artwork by © Yuliya Gwilym
artwork by © Yuliya Gwilym
artwork by © Yuliya Gwilym
artwork by © Yuliya Gwilym
One day I was flipping through a draft of Illustoria Issue 3: Outside-In and Yuliya Gwilym's illustrations immediately caught my eye. The bold shapes and extraordinarily unique color palette struck a chord in me, as if my subconscious always wished and longed for Gwilym's unmatched style and then boom -- it was miraculously handed to me on a silver plater.
Yuliya's piece, "Axe Soup," in ILLUSTORIA issue 3: The Outside-In Issue.
I became quickly obsessed with the graphic simplicity and dynamism of her artwork, reminiscent of the Soviet illustrations of Nathalie Parain and Suprematist Kazimir Malevich. Gwilym's accessible, energetic, and endlessly playful work will add an extra dose of happiness to your day. We're so lucky to have the chance to interview Yuliya, as well as showcase her work in Issue 3 and Issue 4 (which comes out this spring)! Make sure to catch more of Yuliya's work at http://cargocollective.com/yufrukt.
What are you currently working on?
I’m currently experimenting with a flip animation book that tells a story about a little elephant. I’m also designing a little game kit for kids with special needs.
artwork by © Yuliya Gwilym
Can you talk about your process of creating a project, from start to finish?
I start by talking about an idea I have with my partner or artist friends. I try to turn visuals I have in my head into words which usually helps me get a clearer idea. I then do a lot of rough sketches and after that go straight into finals, that way I have some room for experimentation and mistakes which sometimes bring the most fun results. I like to work with different media so my design process varies from time to time.
artwork by © Yuliya Gwilym
artwork by © Yuliya Gwilym
Where did you grow up? Where do you live now?
I grew up in Kiev, Ukraine. It’s a big but very cozy city, I spent my summers in the countryside hut built by my grandparents, helping grandma harvest tomatoes and pick up lost animals from the forest in my spare time. For the past 10 years I’ve been living by the North sea, in the Hague, the Netherlands. I definitely miss hot summers and sweet tomatoes but I love to live abroad -- exposure to other cultures brings out the best in people.
photo by © Yuliya Gwilym
What were you like as a kid?
Its hard to say these things about yourself, my mum says I made friends with everyone wherever I went and was generally very open (which often included telling our personal family stuff to strangers).
What were your favorite childhood books?
When I was very young I loved the poetry of Samuil Marshak, I knew most of his books by heart and they had beautiful illustrations by graphic artist Vladimir Lebedev who I still admire very much.
Slonenok (The Elephant's Child) by Vladimir Lebedev
A bit later my favorite books were A Little Princess and The Secret Garden by Frances Hodgson Burnett, The Adventures of Family Mumin-trolls series by Tove Jansson and Karlsson On The Roof by Astrid Lindgren.
Did you have a favorite subject in school? A least favorite subject?
I liked classes of drawing, crafts, mythology, choreography and biology. I really didn't like math…
artwork by © Yuliya Gwilym
When did you know you wanted to be an artist and writer?
In primary school I wanted to build hotels for homeless animals (there are a lot of stray cats and dogs in Ukraine) or be a vet. Later in high school I decided I want to be artist and designer.
Who or what inspires you?
My biggest inspiration comes from children, listening to the weird things they say. I love starting strange discussions with kids and seeing where it brings their adventurous minds. I also find animation and movies very inspiring, old things and folklore, stories from when my grandma was a little girl, I’m inspired by Japan and Japanese yokai, traveling and meeting new people.
photo by © Yuliya Gwilym
What is the most challenging part about being an artist/writer/maker?
Constantly promoting your work, communicating the value, time and care you put into your craft to people who aren’t artists/makers themselves. Staying organised and being able to push forward and keep working even when you’re “not feeling inspired or motivated.”
When do you feel your most creative?
Just before I get into bed.
What advice would you share with young aspiring artists?
Try to be patient. When things seem slow, its not because you're not good it just takes lots of time. Make friends with other artists! It's so much easier when you're not alone and I find young artists’ community very supportive.
artwork by © Yuliya Gwilym
Lisa Brown cover art: The OUTSIDE-IN Issue
We are so pleased to reveal our cover for issue 3, The Outside-In Issue, featuring delectably delicious, wondrously charming art by the amazing Lisa Brown!
As many of you picture book and comic fans know, Lisa is the creator of the ingenious Three Panel Book Review strips featured in The Rumpus, co-creator with Lemony Snicket of The Latke Who Couldn't Stop Screaming, author/illustrator of the hilarious Baby Be of Use board book series, and author/illustrator of her very latest, The Airport Book. Needless to say we've had a creator crush on Lisa Brown for some time....
So when a few months ago Lisa graciously took a morning out of her busy schedule as a writer, illustrator, teacher, mom, and passionate kid-lit advocate to meet with me at one of her favorite cafes in San Francisco, I was beyond excited and a little nervous. I knew through her work that she was exceedingly intelligent and bitingly witty. Being the warm and generous person that she is, Lisa immediately put me at ease. I should have known--after all, those who work in children's books generally are a kind-hearted bunch! Lisa shared with me her thoughts on why it's important to cultivate creativity in kids through that excruciating, self-conscious phase around the middle school years, the range of diverse picture books on her syllabus at CCA, the challenges that women illustrators face in the publishing industry, and she even gave me a sneak peek of her upcoming picture book. (Psst...interview with her and her elusive co-author to come in issue 4!) By the end of the meeting, she sent me along with a list of fabulous artists to contact and agreed to create cover art for an upcoming issue. I was totally blown away...and so grateful, and excited!
Now, here we are several months later with a gorgeous cover by Lisa that speaks volumes about what we at Illustoria care most about: timeless, captivating art with a unique point of view that resonates across generations; the value and delights of print publishing; the power of illustration; our ever-lasting love for visual storytelling. And how cool is this take on the swallowed-whole dilemma from Little Red Riding Hood??! Just wait until you see her back cover....
Thank you, Lisa, for your fabulous contribution to The Outside-In Issue!!
Inside you'll also find Lisa's sketchbook tips to aspiring artists. Truly the inside of issue 3 is just as delectable as the outside, with contributions by an array of lovely artists and writers whom we couldn't have pulled this off without, including: Nina Chakrabarti, Amy Novesky, Paul duCoudray, Micah Player, Willie Real, Elizabeth Haidle, Ruth Kneass, Mike Dutton, Alexis Joseph / Case for Making, Britt Browne, Claire Astrow, Yuliya Gwilym, Alexandra Rose Franco of Rito-ito, Rachel Garrison, Kristen Solecki, Clark Jackson, Martin Cendreda, Anne Pomel, Karl Dotter, and Jeremy Anderson. More sneak peeks to come so follow us on Instagram to see the latest updates.
Here's a look at #3's table of contents, and be sure to check out our Shop page to see sample spreads from this issue and to pre-order. We'll send out copies in March 2017.
The Outside-In issue's table of contents. So much good inside....
I hope you enjoy this issue as much as we loved putting it together.
Lastly, thanks to Sakura of America and Case for Making for sponsoring issue 3!
Who We Are: Alexandra Rose Franco
art by Elizabeth Haidle
Name: Alexandra Rose Franco
Location: Mill Valley, California
Profession: Designer/Owner, Rito-ito: A floral, object and scent studio. Strategist, futureprüf: a digital design studio
Here I am making the beginning of a fall wreath
Favorite artist/illustrator:
Artist: I’ve always been drawn to Robert Motherwell paintings for their bold, dark expressiveness.
Illustrator: I recently came across a Japanese illustrator, Ryo Takemasa and love the work.
Fun food illustrations by Takemasa
Best book you've read in the past year: When Women Were Birds, by Terry Tempest Williams. I’m also currently reading A Natural History of the Senses, by Diane Ackerman and really enjoying it, and Americanah by Chimamanda Ngozi Adichie.
A beautiful read
Kids book you could read every night: Where the Sidewalk Ends by Shel Silverstein
Best memory of being a kid: Building forts with my brother in the marshland behind our house.
Favorite weekend activity: Going to the Sunday's farmers' market at the Marin Civic Center and cooking Sunday supper together with my partner, Max.
Coming home with farmer’s market bounty
Song currently on repeat: Currently, anything by The xx.
Favorite meal: It's hard to pick one favorite, but I always love clams and linguine with lots of garlic, chili flakes, and white wine.
Last time you made something with your hands: I try to make something with my hands almost everyday. Today I'm designing with fall flowers in preparation for Thanksgiving.
Fall flowers at Rito-ito
Fun fact about you: I studied at the Joffrey Ballet in NYC for a stint during highschool and had the opportunity to live on my own and explore the city as a teenager. It gave me a sense of adventure, responsibility, and confidence that I needed as a young person.
ILLUSTORIA interview on APEX - KPFA 94.1
Thanks to Melissa Hung for the recent interview with me about Illustoria, which ran on APEX Express on KPFA 94.1. If you missed it, you can still listen to the archived show here (37:00). Melissa, co-founder of Hyphen and a writer, journalist, curator and educator, asks insightful questions about why I chose to launch a print magazine and how we at Illustoria are approaching the need for more diverse representation in storytelling for kids. Tune in to learn about my inspiration behind the magazine, our editorial approach to the stories, art, interviews, and activities in each issue, and how Illustoria hopes to stand out in today's challenging but exciting landscape of print publishing.
Founder/Publisher Joanne Chan talks to APEX about her inspiration to start a print magazine for kids and grownups. Photo by Melissa Kaseman
Todd Webb Follows Georgia O'Keeffe in the Desert
Meet Todd Webb, who lives in Virginia Beach, Virginia, and who graces the pages of the — upcoming! — second issue of Illustoria with a gorgeous, reflective piece about the great American painter Georgia O'Keeffe. Todd's comic is drawn, literally and figuratively, from O'Keeffe's own writings — he uses her own words. Webb shared shots of his studio, and his thoughts about creativity, and much more, in the following interview.
What were you like as a kid?
Shy and quiet — picked on a lot, so I kept to myself or a small but close group of friends. My favorite place was the library, and I was always reading or drawing.
What were some of your favorite childhood books?
Early on I read all the Encyclopedia Brown and Hardy Boys books — my dad still had a full set of Tom Swift books too and we read those together when I was really little. I've still got those. I read a lot of Peanuts collections. And Calvin & Hobbes. My dad had a lot of sci fi books so I read a bunch of those at an early age too, but eventually started reading "classics" — Salinger, Hemingway, etc. etc.
When did you know you wanted to be an artist and writer?
When I figured out that Charles Schulz made Peanuts and that was his job — the idea that you could grow up and draw comics for a living instantly overtook my brain, and I never stopped shooting for that goal, though eventually my aim shifted to comic books instead of comic strips.
Todd Webb's studio
Who or what inspires you?
Everything — haha. I'm constantly getting ideas from things and people I encounter, see, read about, etc. I like to read poetry. That always gives me weird fun ideas to try out with comics.
When do you feel you're most creative?
It used to be late at night, but as I've grown older I think I tend to do my best work if I get started first thing in the morning. But a big aspect of being creative is being able to make yourself just do the work every day — even if you're not feeling "inspired" — you've still gotta hit the drawing board and make something!
The artist at work
Do you have a favorite type of pen, or brush, or paper for drawing with?
For years now I've been inking with Faber Castell Pitt Artist brush pens. I love them! I usually draw on Strathmore Bristol board. I'll buy a big pad of it and trim the paper to whatever size I need for a specific project.
It all starts with pencil on paper.
What advice would you share with young aspiring artists?
Keep at it! And do it because you love it. Make work and show it to artists you admire. Don't be afraid of mistakes and don't think you need to draw a certain way or that you need special supplies. Do the best you can do with what you have!
Why did you draw something about Georgia O'Keefee?
There's a couple reasons. A few years back I got to see her painting "The Lawrence Tree" (which is a great painting of a tree she used to sit beneath on the Lawrence ranch, seen from beneath as if you were looking up through the branches) and I really liked it. So I started to dig through other works of hers I hadn't been familiar with, and that led me to a big collection of her letters, which were a great read as well. I ended up writing a song about the Lawrence Tree painting, as well as one inspired by a letter ("The Lawrence Tree" and "Georgia, 1931" respectively on the Seamonster album Baldessari). So that was one thing. In the interim, I've really enjoyed connecting with other artists and writers and musicians from the past whose work really speaks to me by making something myself inspired by their works, be it a comic, a drawing, or a piece of music. I think engaging with an inspiring piece of work by making a piece of my own helps me process and figure out what it is I like about it so much, and also serves as a way of having a "conversation" with that person who maybe isn't even alive anymore. Anyways, back to Georgia: in reading books about her I realized she was good friends with the photographer Todd Webb (which is my name!) and it was amusing to me when I'd come across a letter of hers addressed to someone with my name. It was pretty surreal. I was already familiar with that Todd Webb's work, because ever since Google was invented, if you search for me, you'd also get results for him (he was very well known, and many of his photos were of Georgia O'Keeffe) So I thought it would be fun to further confuse the internet by putting a work of my own out there about Georgia O'Keeffe.
Four panels from Todd's upcoming Illustoria comic
What was the process like, working from her own words?
Great fun! When I'm working on a piece like this, I really respond to particular writings of the artists that resonate with my own thinking. For years I used to keep a comic strip diary, and so working on a comic like "Georgia in the Desert" feels almost like drawing my own cartoon journal. I may be drawing about someone else and using their words, but it feels very personal to my own thinking. If that makes any sense!
How does the idea of making art from the things you come upon in everyday life — which is a theme of the comic you drew — inform your own work?
Immensely. I think the things we encounter every day we often take for granted, so it's fun to focus a work on something small and seemingly insignificant — we are surrounded by so much wonder and beauty and we often forget to pay it any mind — Georgia painting huge gorgeous abstractions based on the surface of a rock, or a bone, or a flower or a row of clouds is a perfect example of really appreciating your everyday surroundings, whatever they may be.
Todd's synthesizers are right on his studio bookshelf.
Tell us a bit about your music?
When I'm not drawing, I'm usually making music. At this point I have two projects: Seamonster is my main outlet, which is poppy semi-electronic songs that I guess sound a bit like girl groups from the 1950s mixed with something like Kraftwerk, haha. Contemporary songwriters like Stephen Merritt (of the Magnetic Fields), Mark Mulcahy (Miracle Legion, Polaris), and Dean Wareham (Galaxie 500) are huge influences. I also recently have started releasing music under the name Oahu, which is quieter ambient electronic experiments in the vein of Brian Eno or someone like William Basinski. Oahu uses lots of synthesizers and tape loops and has no singing. Its good background music for reading.
What work of yours should an Illustoria parent read next?
Chance Operations: it's a collection of shorter experimental comics where I used chance operations (made famous by composer John Cage) and flipped coins to determine where images, colors, and text would go. It reads more like poems than a traditional narrative, and has a little essay explaining the process in more detail.
An interior page from Webb's Chance Operations
What work of yours should an Illustoria kiddo read next?
Tuesday Moon: it's the story of a girl named Tuesday who has a rotten day at school, and is paid a visit by the Mann (two n's) in the Moon. They go on an adventure in space together and the moon helps her realize maybe her day wasn't as rotten as she thought it was. Raina Telgemeier, author of Smile, said, "Tuesday Moon is charming, thoughtful, and full of the best kind of whimsy."
An interior page from Tuesday Moon
Creator Crush – Illustrator Edition
The First Warm Spring Day. Copyright © Phoebe Wahl 2015.
When I’m not painting, snacking, watching reruns of Curb Your Enthusiasm, or having the time of my life at Illustoria magazine, I spend my days surrounded by children’s books. Specifically, at Mr. Mopps’ Children’s Books, one of the finest bookstore establishments in the Bay Area (if not America, the World, Universe, etc). As an artist and lover of beautiful things, my favorite picture books often tend to be the ones with jaw dropping-ly cool illustrations (that is unless it’s The Book with No Pictures by B.J. Novak). So it’s with great joy that I share my current illustrator favorites with you. I’ve also included some really awesome up-and-coming artists who haven’t published a children’s book yet, but I really hope they one day do. I hope this list inspires you to visit your local bookstore and support these stellar artists.
1. Phoebe Wahl
Phoebe Wahl is my all time favorite illustrator at the moment. Working in various mix media from collage to watercolor and color pencil, all of Wahl’s creation are lush, whimsical, and filled with a love nature. The artist grew up in Washington and graduated from RISD in 2013 before plunging into the illustrator world. Her very first children’s book, Sonya’s Chicken’s is so wonderful-- I recommend it to everyone who comes into Mr.Mopps’. It tells the story of a young girl named Sonya who takes enormous pride in caring for her chickens. When one of her hens is killed by a neighborhood fox, Sonya learns an important lesson about the cycle of life and how to cope with loss. With gorgeously textured collage materials, rich colors, and folk inspired images, Sonya’s Chickens is a truly mesmerizing, heart warming tale you’ll want to reread again and again. It’s no wonder this book was the recipient of the Ezra Jack Keats award for new illustrators! I’m greatly anticipating Wahl’s next children’s book and whatever spectacular creation she spins up next. You can check out her work at http://www.phoebewahl.com/
Cover of Sonya's Chickens. Copyright © Phoebe Wahl. Published August 2015.
Interior page of Sonya's Chickens. Copyright © Phoebe Wahl. Published 2015.
2. Isabelle Arsenault
Isabelle Arsenault is a Canadian illustrator who has worked on over ten children’s books, each more wonderful than the next. Most recently, she illustrated Cloth Lullaby a tale of the life of world famous contemporary artist Louise Bourgeois, written by talented local author Amy Novesky. What I find stunning about Arsenault’s work is how she seamlessly integrates watercolor and pencil line work to create immersive, often extremely pattern-filled scenes.
Cover of Cloth Lullaby. Copyright © Words by Amy Novesky, Illustrated by Isabelle Arsenault. Published 2016.
Interior page of Cloth Lullaby. Copyright © Isabelle Arsenault. Published 2016.
Though her style has a sense of innocence and child-like wonder to it, Arsenault isn’t afraid of depicting a darker side. In her graphic novel Jane, the Fox, and Me Arsenault dramatic compositions and devilish character portrayal illustrate the anxiety and angst that we all go through as early teens. More of her work can be found at http://www.isabellearsenault.com/
Interior page of Jane, the Fox, and Me. Copyright © Isabelle Arsenault. Published 2013.
3. Esme Shapiro
Esme Shapiro’s work is delightful, fresh, and filled with curiosity. Similarly to Phoebe Wahl, Shapiro is a RISD grad who just published her first children’s book, Ooko. In this amusing tale, a fox named Ooko who has it all, except for a very best friend. So it goes off an adventure to find a companion but instead gets mistaken as an old lady’s dog. Filled with whimsy, flora, and fauna, Ooka is an easy favorite. Shapiro has many many more imaginative, Maria Kalman-esque pieces on her website http://esmeshapiro.com/
Cover of Ooko. Copyright © Esmé Shapiro. Published 2016.
Page of Ooko. Copyright © Esmé Shapiro. Published 2016.
4. Joohee Yoon
Joohee Yoon is a printmaker whose work never fails to amuse and inspire me. She has illustrated two children’s books, The Tiger Who Would Be King and Beastly Verse, as well as House Plant an art book about plants that outgrow their owners. You might also recognize her work as being a frequent feature in the New Yorker and New York Times. With wonderful overlapping colors and wonderful oversized cartoon characters, Yoon’s work overflows with vivacity and humor. If you’re as big of a fan as screen printing as I am, (or even if you’re not!) her illustrations will tickle you in all the right places. You can check out more of her striking work on her website http://jooheeyoon.com/index.html
Living Things interior spread. Copyright © JooHee Yoon.
Interior page of The Tiger Who Would Be King. Copyright © JooHee Yoon. Published 2015.
Interior Page of Beastly Verse. Copyright © JooHee Yoon. Published 2015.
5. Sally Nixon
Sally Nixon, an illustrator working from Little Rock, Arkansas is one of the raddest artists around. Though she hasn’t come out with any children’s books yet (I hope she will soon!), she’s an honorable mention on this list because she’s without a doubt my creator crush. Nixon lovingly depicts the mundane moments in an average girl’s life, like eating late night snacks of chocolate cake, brushing your teeth in the shower, scrolling through instagram, or simply sitting on the toilet. By giving these often overlooked moments extra attention with delicate marker coloring and detailed penmanship, Nixon makes the everyday special. Her illustrations have a feeling of voyeurism, as if for spectators to see what women do when no one’s watching. At the same time, the contemplative boredom Nixon depicts makes her characters so relatable and well loved. Visit her website at http://sally-nixon.squarespace.com/.
Copyright © Sally Nixon.
Copyright © Sally Nixon.
Copyright © Sally Nixon.
Claire Astrow is a publishing assistant at Illustoria and a recent grad from UC Berkeley as an Art Practice major. Check out her bio here and her illustrated work at claireastrow.com.
We Heart Sakura
Who doesn't love a maze?! But with a selection of colorful Gelly Roll Pens at our side, doodling and writing takes on another level of playful pleasure. Photo © Melissa Kaseman
When Michaela Yee at Sakura of America heard about us through a Facebook post, she connected with us right away. Aside from the fact that we have an amazing friend (Patricia Wakida of Wasabi Press) in common--one of those connectors of people who attracts artistic, talented, energetic, generous souls into her life--we both knew right away that Sakura and ILLUSTORIA were going to get along like playground pals at recess.
Mark working on the Archidoodle activity for issue 1, with his trusty Micron Pens of course.
While Sakura as a company is nearing its centennial and ILLUSTORIA is just a newborn pup, we have a lot in common. We believe in quality materials, access to artistic expression for all, and keeping creativity alive in both grownups and little ones. I must admit, as the new kid on the block I was already smitten with everything that Sakura represented. Art supplies are one of those pleasures that need not be guilty! Micron Pens are a staple in our house, with my architect-maker husband constantly sketching with his number 01s and 02s and on up the spectrum. The Pigma Sensei Pens are never far out of reach of my 10-year-old comic artist in the making, and my youngest can't get enough of his collection of Gelly Roll Pens.
Paper and ink are so important to me as a reader and as a publisher. I made sure to test out our uncoated interior stock for maximum drawability before we hit the press. The Gelly Roll Pens truly glide smooth as jelly on the pages of our mag, and the ink dries beautifully too--so no unsightly smudging when you flip the page! Photo © Melissa Kaseman
We pretty much as a family tote them around to every and all long car rides and dinners out. I personally use a selection of all the above to capture my wandering thoughts and doodles. There's really something so satisfying about putting not just pen to paper but really lovely ink that glides oh-so smoothly and beautifully. The words and illustrations somehow look more intelligent and attractive on the page. Really, it does!
A selection of colorful Gelly Roll Pens on our table beckons the creative (and silly!) spirit in all of us.
For Sakura, then, to see this new fledgling indie press and believe in us from the start--with no track record to show of but a lot of heart, enthusiasm, a dedicated team of contributors and a mission to inspire artistic expression, they proved to me that they are true supporters of the creativity cause. Their motto celebrates the "Power To Express" and we at ILLUSTORIA couldn't agree more. May we all tap into our own artistic expression and find the tools that work best for us individually, for our own daily creative practices.
A very hearty thanks to our issue 1 sponsor, Sakura of America, for your support of us and your dedication to creative expression in all ages!
Creator Crush: Cece Bell!
When the book EL DEAFO begins, Cece is 4. When it ends, she is about 10 or 11. Cece used these photos to help "age" the bunny version of herself as the book progresses. Photos and art © Cece Bell.
I first heard the adorable name "Cece Bell" spoken of while working as an editor at Lucasfilm. At the time, I was co-editing Tom Angleberger’s Origami Yoda series. I’ll never forget Tom visiting our offices and gifting me an origami R2-D2 that he folded himself. There were many perks of working at Lucasfilm, and receiving an origami Star Wars character by Tom in all his stookiness was most definitely, geekishly one of them. But I had no idea that I would soon meet Tom’s wife, Cece Bell, and be blown away by her own amazing work as a children’s book author and illustrator. I met Cece only briefly at a BEA in New York a couple years ago, where she was signing galleys of her book El Deafo. The booth was crowded with Cece fans and the galleys were quickly disappearing, but I was fortunate to snatch one up.
Illustration © 2014 by Cece Bell; Design by Caitlin Keegan and Chad W. Beckerman. Published by Amulet Books, an imprint of Abrams.
When I returned home to California, I couldn't wait to get El Deafo into the hands of my eight-year-old daughter. As I predicted, she gulped down the book in one sitting—meaning she did come up for air several times to point out some particularly hilarious excerpt from the book. (“Mom—look down your shirt and spell ‘attic’!”) The rest of the time she stayed quietly and contemplatively behind closed doors, unwilling to pull her eyes from the page—just as her mom did (sometimes teary-eyed with sadness sometimes teary-eyed with laughter) on that plane ride back to Oakland. When months later she and I discovered El Deafo in all its full-color, award-winning glory at the bookstore, we were overjoyed by its brilliance. It didn't occur to us that we had been missing anything at all in the uncolored proof.
When Cece's character can't hear anything, the speech balloons are empty. Art © Cece Bell.
El Deafo is a phenomenal graphic novel memoir based on Cece’s childhood experiences with hearing loss and hearing aids. It also chronicles her quest to find true friendship. The graphic novel format is a perfect medium for Cece's story, where pictures and words (in some cases, the lack of words) powerfully demonstrate what her character is experiencing.
The elaborate Phonic Ear hearing aid and microphone set-up had Cece feeling like a superhero with superpowers! But most of the time she just felt like a confused kid. Was she deaf? And what did that mean? Art © Cece Bell.
Read Cece’s firsthand account on the making of El Deafo in our premiere issue and learn about her creative process as an artist and writer. In the meantime, here's an extended version of our Q&A with Cece.
Where did you grow up? Where do you live now?
I grew up in a little city called Salem, in the southwestern part of Virginia. Now I live in an old church just a half-an-hour away, but more in the mountains (and therefore, in the boonies!).
What were you like as a kid?
I was driven to do well and pushed myself hard. I wanted people to think of me as “that smart girl in our class” instead of as “that deaf girl in our class.” I loved making people laugh, especially my older siblings. My sense of humor veered toward the absurdist...and the naughty!
What were some of your favorite childhood books?
Our Animal Friends of Maple Hill Farm by the Provensens
The Meanest Squirrel I Ever Met by Gene Zion and Margaret Bloy Graham
The Snowy Day by Ezra Jack Keats
Ed Emberley’s drawing books
Arnold Lobel's Frog and Toad series
Judy Blume's books
Beverly Cleary's books
The Secret Garden by Frances Hodgson Burnett
The Little House books by Laura Ingalls Wilder
Caddie Woodlawn by Carol Ryrie Brink
When did you know you wanted to be an artist and writer?
I started to figure the art stuff out in college. I had always loved drawing, but never really saw a career in it until I saw other kids making a go of it. As to the writing, no one would hire me to illustrate their children’s books, so I realized I had to write my own books and make my own path.
Who or what inspires you?
My husband, author/illustrator Tom Angleberger, is a huge source of inspiration. He's so encouraging...and he's so good, which triggers my competitive reflexes to be better and to make more stuff.
When do you feel your most creative?
In the morning, when the house is quiet and nothing has happened yet.
Do you have a favorite type of pen, or brush, or paper for drawing with?
I like lots of media and have to admit that I love drawing on my Wacom Cintiq. I love to draw LINES so simple pen-and-ink is a favorite. Gouache! Watercolors! But no oil paints, ick. If I could make a book with illustrations made of felt and colored thread, I'd do it. Love that stuff.
What advice would you share with young aspiring artists?
If you aren't enjoying it, don't do it!
Thank you, Cece, for your words of wisdom and for sharing El Deafo with us!
Made By You: Call for Submissions!
Stella, age 5. "A made-up animal" with polka dots and a bow on its head.
We at ILLUSTORIA love kid-art! And we're pretty sure that chances are you do too. There's nothing like the pure joy, fantastical imaginations and uninhibited creativity found in kids. As the master painter Picasso once said, "It took me four years to paint like Raphael, but a lifetime to paint like a child." Ahh, to think and create like a child again!
Our MADE BY YOU gallery page showcases kids' artwork in the form of drawings, collages, comics, paintings, pencil sketches, calligraphy, poetry, crafts...you name it! As grownups to creative kids, everyday we find inspiration in the beauty, silliness, simplicity, complexity, irreverence and unfiltered aliveness of the creative expression of kids. Here is a place to show off those images and to share a bit of the love and fun.
We welcome you to contribute to this shared gallery space for a collective, daily dose of joy and inspiration. What are your creative kids up to? What's on their minds and being made with their hands today? We would be thrilled to see. Please send contributions to madebyme@illustoria.com and we'll share them here...or for a chance to see it in our print magazine.
Who We Are: Elizabeth Haidle
Name:
Me & Eli
Location:
Portland, OR
Profession:
Freelance artist & musical saw player (& Creative Director of ILLUSTORIA)
Favorite artist/illustrator:
recent discovery: Nathaniel Russell; also Jillian Tamaki, Brecht Evens, Emily Carroll
Best book you've read in the past year:
Your Illustrated Guide to Becoming One with the Universe, by Yumi Sakugawa
Kids’ book you could read every night:
What Was I Afraid Of? by Dr. Suess
Best memory of being a kid:
Dressing up as a ham sandwich for Halloween, made with scraps I scrounged from my dad's studio. My head stuck out of a bite mark at the top. I had a little trouble climbing on the bus & standing during the ride to school, but it was worth it. Absolutely zero other people were a ham sandwich that year.
Favorite weekend activity:
3-course breakfasts. Also anything involving a hammock.
Song currently on repeat:
"The Very Thought of You," by Billie Holliday; I just know everything's gonna be alright when Billie sings.
Favorite meal:
Last time you made something with your hands:
Accordian fold mini book entitled: 'Inner Donkey'
Patterned postcards using eraser chunks as stamps
Fun fact about you:
I'm terrible at wrestling and my son always wants to, so I made up my own moves. One is called 'Cheek Pin', where you press the other person down by smushing your cheek really hard against theirs. Also they are maybe paralyzed by laughter, which helps. Another is called 'Cashmere Head Clamp' and requires one to be wearing a cashmere robe. Which I wear often.
The ILLUSTORIA Story
Hello and welcome to Illustoria, a place for visual storytelling and DIY culture. Two years ago when I was a children’s book editor at Lucasfilm working among some of the most amazing storytellers in film, television, comics and books, I had a vision for a new type of magazine for kids—one that would celebrate stories, art and creativity. A magazine that, like any good book for children, could be equally enjoyed by grownups.
Handmade book by Marcas, age 6
Welcome to ILLUSTORIA, a place for visual storytelling and DIY culture. We commission and celebrate the works of established and up-and-coming artists, writers and makers. Our commitment is to providing a high-quality print magazine that inspires and delights creative kids & their grownups through original stories, art, interviews and activities. This is the origins of our story:
Two years ago when I was a children’s book editor at Lucasfilm, I had a vision for a new type of magazine for kids—one that would showcase stories and art while giving readers insight into the creative process. A magazine that, like any good book or entertainment for children, could be equally enjoyed by grownups.
Why a children’s magazine at such a precarious time for print? For one, for the love of print. But also because I really wanted to see this vision out in the world. As a mother of two working in the field of children's book publishing, I felt fortunate everyday to be collaborating with amazingly talented illustrators, comic artists and storytellers. At Lucasfilm I was surrounded by passionate people who shared a love of storytelling in all forms--through writing, illustration, animation, film, television, performance and music. It was around all this creative energy that I felt compelled to express something unique and true to myself. I was ready to create something meaningful that I could not only bring home to my kids, but share with them.
I wanted an experience where kids and grownups could enjoy comics and stories together, be exposed to contemporary artists and makers working their crafts out in the world, discover the next best song to put on repeat, find a fun new recipe to cook up for dinner, feed their imaginations and get inspired to make, journal, draw, craft and express something unique and true to themselves.
I was also witnessing the incredible renaissance taking place in the realm of children's books. Like wildflowers spreading on the High Line, new ideas and styles and voices were thriving. For all the agonizing over the decline of print publishing, there came a surge of high-quality picture books, graphic novels, chapter book series and early readers. Artists and writers declared a new playing field with the picture book manifesto. New indie presses and established houses dared to go against the tried and true and readers began to find books without pictures, graphic retellings of classics, oversized books that don't fit spine-out on bookshelves, books that enchanted big people as much as they did little people, books without happy endings and books that said something brand new and made us wonder.
Also all around me I saw a proliferation of quality print magazines that put content, design, and artistry above ads and mass production. These were magazines that I couldn't get enough of, that I wanted to pore over, collect, share and keep on my coffee table forever. They were founded by fellow staunch lovers of print who captured an audience eager to slow down and take in well-curated, beautiful, intelligent stories and pictures.
I was sure that a well-designed, thoughtful, contemporary children's magazine--one that celebrated visual storytelling and artists as much as it did a DIY ethos--was not only missing but would be welcomed by a new generation of parents and young readers. Where was the publication, like all those wonderful children's books, that I'd want to read and feel inspired by as much as my own two kids would? I couldn't wait to shepherd the idea to life.
Now, here we are in 2016 and that vision, the magazine, is taking shape. I have an awesome group of folks realizing and creating ILLUSTORIA along with me, whose smart ideas and playful perspectives have made it something bigger and better than I could have imagined. With backgrounds in design, comics, illustration, writing and publishing, they share a belief in the power of stories, art and creative expression. We are hard at work on our first issue, all about beginnings. In it we learn from Cece Bell about the making of her graphic novel El Deafo, discover how Andrew Bird prototyped a make-shift violin at age 4, glimpse into Aaron Becker's process illustrating Journey. On top of that we have original contributions from dozens of new and familiar artists and writers in the form of illustrated stories, comics, DIY activities and more.
I hope you follow along on Instagram, Twitter and Facebook, and make sure to sign up for our newsletter so you get the latest ILLUSTORIA news in your inbox. If you like what you see, please consider a subscription or a gift subscription for a loved one to our magazine. I would be thrilled to have your company as we see this vision through and embark on this new adventure.
Happy Reading!
Joanne