Rebecca Green here (you can call me Becca!). I had the pleasure of creating the cover for Illustoria Issue #7, The Black and White Issue, and today we're going to walk through a bit of the creative process behind the illustration.
Besides sending along keywords, details about the features, and some of my previous art they were drawn to, Joanne and Beth of Illustoria gave me a lot of freedom to choose which direction I wanted to go with the artwork. Immediately, I knew I wanted to draw a little boy with black and white animals. I started with this simple sketch.
The drawing, I decided, needed something more. The boy would be...an artist! Complete with an easel and lots of brushes and markers. One thing I did like in the first drawing was the use of one simple color. Green felt right. (and not because it's my last name!) The sketch was drawn in colored pencil (I use Faber-Castell and Prismacolor).
As you can see, I drew some of the elements on a separate piece of paper and cut them out so I could try out placing them in multiple places. One I had my complete sketch, I scanned it, cleaned it up a bit in Procreate (on my IPad), and send it in for approval.
Once the sketch was approved (this meant making the image a little bigger and enhancing the butterfly), I went to work on the final. I created the final illustration in gouache and colored pencil. Here are some peeks of the cover before it was edited!
The final illustration was edited in Procreate and Photoshop, along with the hand-lettered text. When finished, it was sent to the kind folks at Illustoria and voilà! A cover was born!
There you have it - a glimpse into the world of the cover creation. Hope you guys enjoy the issue, and thanks for letting me share a peek into my process. And thanks to Illustoria for having me!