Creating Cover Art for #7: The Black & White Issue
Hi All!
Rebecca Green here (you can call me Becca!). I had the pleasure of creating the cover for Illustoria Issue #7, The Black and White Issue, and today we're going to walk through a bit of the creative process behind the illustration.
Illustration by © Rebecca Green
Besides sending along keywords, details about the features, and some of my previous art they were drawn to, Joanne and Beth of Illustoria gave me a lot of freedom to choose which direction I wanted to go with the artwork. Immediately, I knew I wanted to draw a little boy with black and white animals. I started with this simple sketch.
Illustration by © Rebecca Green
The drawing, I decided, needed something more. The boy would be...an artist! Complete with an easel and lots of brushes and markers. One thing I did like in the first drawing was the use of one simple color. Green felt right. (and not because it's my last name!) The sketch was drawn in colored pencil (I use Faber-Castell and Prismacolor).
Illustrations by © Rebecca Green
As you can see, I drew some of the elements on a separate piece of paper and cut them out so I could try out placing them in multiple places. One I had my complete sketch, I scanned it, cleaned it up a bit in Procreate (on my IPad), and send it in for approval.
Illustration by © Rebecca Green
Once the sketch was approved (this meant making the image a little bigger and enhancing the butterfly), I went to work on the final. I created the final illustration in gouache and colored pencil. Here are some peeks of the cover before it was edited!
Illustrations by © Rebecca Green
The final illustration was edited in Procreate and Photoshop, along with the hand-lettered text. When finished, it was sent to the kind folks at Illustoria and voilà! A cover was born!
Illustration by © Rebecca Green
There you have it - a glimpse into the world of the cover creation. Hope you guys enjoy the issue, and thanks for letting me share a peek into my process. And thanks to Illustoria for having me!
The Pipers Sneak Peek
Art from The Pipers by Paul du Coudray and Beth Haidle
Did you know that Illustoria's very own creative director/art wizard Elizabeth Haidle and our longtime contributor and friend Paul du Coudray are collaborating on a project of otherworldly dimensions?
Art from The Pipers by Paul du Coudray and Beth Haidle
We're excited to share a few sneak peek images from The Pipers, a graphic-novel adaptation of a P.K. Dick short story from the 1950’s. Sci-fi lovers rejoice. Get updates on their progress, gain early access to their work, plus member perks and prizes at Studio Mascot. Far out ❕ 〰️
Art from The Pipers by Paul du Coudray and Beth Haidle
And don't miss out on Beth and Paul's gorgeous contributions to Illustoria. We're so honored to have their awe-inspiring artwork and insightful visual storytelling gracing the pages of our mag.
CALL FOR SUBMISSIONS! THE BLACK & WHITE ISSUE
Art by Elizabeth Haidle
Are you an artist or writer who would love to contribute to ILLUSTORIA? Well, we'd love to hear from you!
We have a few slots left in our upcoming issue, themed "BLACK & WHITE." In particular, we're looking for:
- a couple of 2- to 3-page comics or illustrated stories
-spot art or standalone illustrations + minimal text or poetry
-1–3 panel comic strips
Pssst...! We may be a wee bit biased toward work that celebrates diversity, silent films, and b&w photography...but also totally open and excited to see your original ideas!
Submissions due by October 12th, 2017. Find out more about our submissions guidelines here, then email your submission to: submissions@illustoria.com.
Good luck!
Women Who Draw, Write, and Inspire Us
Images left to right: Louise Bourgeois by Elizabeth Haidle (issue 2); sketchbook drawing by Lisa Brown (issue 3); watercolor portrait by Lindsay Stripling (issue 2); "Dream Before Building" by Lark Pien (issue 1); Beatrix Potter by Elizabeth Haidle (issue 3); Martha Graham by Marlowe Dobbe (issue 2); self-portrait by Nina Chakrabarti (issue 3); excerpt from El Deafo by Cece Bell (issue 1); "Hiroshima Mon Amour" by Britt Browne (issue 3)
Women's History Month is coming to a close, but we at Illustoria think every month should be women's history month! We are proud to pay homage to the courageous, intelligent, and rebellious women who have revolutionized their fields and empower us to dream big. Of recent, we've been thrilled to see collectives and movements such as Women Who Draw creating an inspiring platform for talented women illustrators. Today, we would like to take a moment to thank some of the amazing women who draw, write, and inspire us here at Illustoria.
artwork © Lisa Brown
cover art © Lisa Brown
artwork © Lisa Brown
Lisa Brown
Lisa Brown, the stupendous illustrator behind our Issue 3 cover, is a critically acclaimed illustrator, author, and cartoonist who resides in foggy San Francisco. She is the mastermind illustrator behind Emily's Blue Period by Cathleen Daly and 29 Myths on the Swinster Pharmacy by Lemony Snicket and has written and illustrated the fantastic Depressed. Repressed. Obsessed. 3 Panel Book Reviews as well as Vampire Boy's Goodnight, The Airport Book, and How to Be. (And this is all just for starters!) Brown also featured her sketchbook and mini-drawing activity in Issue 3, which we love to pieces. Stay tuned for more highlights of Brown this spring, in our super-exciting-filled-to-the-brim-with-inspiration Issue 4: The Grow Issue! You can find more of her amazing work at http://www.americanchickens.com/.
artwork © Cece Bell
images © Cece Bell
Cece Bell
If you haven't gotten your hands on the heart-melting and hilarious El Deafo by the genius Cece Bell, you might want to stop reading right now and run to the nearest book store immediately. El Deafo is a graphic novel memoir that tells the story of Bell's hearing loss and subsequent adventures with a clunky hearing-aid-turned-super-power. Alongside this Newbery Award Winner, Bell has published I Yam Donkey, Rabbit and Robot: The Sleepover, and Chuck and Woodchuck amongst many others. We are so honored to have featured an interview with Cece in Issue 1 and a full length Q&A which you can read here. Check out more of Cece Bell's work on her website https://cecebell.wordpress.com.
artwork © Lark Pien; from "Dream Before Building" in Illustoria issue 1, The Beginnings Issue
artwork © Lark Pien
sketchbook art © Lark Pien
Lark Pien
Lark Pien is a Portland-based acclaimed illustrator and the amazing talent behind the Long Tail Kitty series (for which she won the Friends of LuLu Award) and Mr.Elephanter. Pien was the colorist of American Born Chinese by Gene Luen Yang and Sunny Side Up, two graphic novels for young readers that we could not recommend more highly. We are blown away by "Dream Before Building," a mini-comic she created for Issue 1, and cannot wait to share some new projects she's dreaming up for Illustoria. Find more of Pien's work at http://larkpien.blogspot.com/?view=classic.
artwork by © Elizabeth Haidle
artwork by © Elizabeth Haidle
artwork by © Elizabeth Haidle
Elizabeth Haidle
Have you ever met an artist so talented you want to simultaneously: do cart wheels, bake them a 10-layered Boston cream pie, and hold a radio outside their window à la John Cusack in Say Anything? That's how we feel about our genius, prolific, and awe-inspiring Creative Director Elizabeth Haidle. In addition to spinning up magic at Illustoria, Haidle is the creator of Literary Giants As Kids, a fantastic series you can find in each issue of Illustoria, and illustrator of the dreamy Mind Afire - The Visions of Nikola Tesla, written by Abigail Samoun. We absolutely cannot hold our excitement for the release of I, Parrot, her most recent (breathtaking) graphic novel written by Deb Olin Unferth, which she is currently putting the final touches on. We love the ever-busy Haidle, whose work you can find at http://www.docucomix.com/ and http://www.ehaidle.com/
Cloth Lullaby by Amy Novesky, illustrated by Isabelle Arsenault
Iomogen by Amy Novesky, illustrated by Lisa Congdon
Me, Frida by Amy Novesky, illustrated by David Diaz
Georgia in Hawaii by Amy Novesky, illustrated by Yuyi Morales
Amy Novesky
Amy Novesky is an award-winning children's book author and editor whom we adore five trips to the moon and back. Most recently, she has written Cloth Lullaby, a gorgeous tale of the illustrious, world-famous artist Louise Bourgeois, with stunning illustrations by Isabelle Arsenault. She has also written critically acclaimed books including Georgia in Hawaii, Me, Frida, and Imogen. We are so excited to have featured a full length interview with Novesky which you can find in issue 3. To read more about Novesky's work, check out http://amy-novesky.squarespace.com/.
Laurel Snyder
Laurel Snyder is a prolific, critically acclaimed children's author who makes us want to smile for days. She is the author of numerous, joyfully fun-to-read novels for children of which some of our favorites include Orphan Island and Bigger than a Bread Box. She has also written the gorgeous picture books Swan, the Life and Dance of Anna Pavlova and the adorable Charlie and Mouse. You can find Snyder in issue 2, with her biographical piece "Martha Graham In Motion," illustrated by fantastic artist Marlowe Dobbe, about the revolutionary Martha Graham, the Mother of Modern Dance. Check out http://laurelsnyder.com/ for more work by this beloved author.
art © Lindsay Stripling for "The Best Invisible Thing" in Illustoria Issue 2
art © Lindsay Stripling
art © Lindsay Stripling
Lindsay Stripling
A phenomenal woman artist whom we couldn't admire more, Lindsay Stripling works from her studio in the Outer Sunset of San Francisco. We fell in love with her paintings the first time we laid eyes on them for their dreamy palettes, mystical settings, and ethereal subjects. Her folk and fairy tale-inspired narratives lead us into inner worlds that are rich and boundless. We're thrilled to announce that Lindsay's gorgeous artwork will grace the cover of our upcoming issue 4: The Grow Issue--so be on the lookout. Find more of Lindsay's work here: https://www.lindsaystripling.com/
Ruth Kneass laying with the meticulously sculpted pieces of her Bay Tower mobile. © Ruth Kneass
Blonde Driftwood © Ruth Kneass
Nine pieces in collage; a search-and-find activity in issue 3
© Ruth Kneass
Ruth Kneass
Driftwood artist and mobile sculptor Ruth Kneass creates stunning works of art that take years of patience, time, and skill to produce. She shares the story of her mother's influence and her inspiration growing up to be an artist in Illustoria issue 3. A true appreciator of beauty and nature, Ruth infuses her art and life with a feminine love, care, determination, wisdom, and strength that we find simultaneously awe-inspiring and reassuring. You'll find a treat in issue 3, where she disassembled one of her precious driftwood mobiles to create the most gorgeous search-and-find activity we've ever seen! Find more of Ruth's work here: http://www.kneassboatworks.com/
self-portrait © Nina Chakrabarti
art © Nina Chakrabarti; from Nina's upcoming title My Collection of Collections: A Sticker Book
Nina Chakrabarti
We had the chance to interview talented illustrator and activity book creator Nina Chakrabarti and learn all about her inspiration growing up between Calcutta, India and the UK. Born to an English mother and an Indian father, Nina's vivid childhood memories of bright colored saris and streets clamoring with the sounds of trams, trains, and rickety rickshaws; Chinatown and Brick Lane in London; and museums and nature all inspire the joyful work she produces today. In issue 3, she talks about her process creating books such as Hello Nature, My Wonderful World of Fashion, and her upcoming title, My Collection of Collections that will equally inspire young artists and grownup ones. Fun fact: Nina doesn't keep sketchbooks but rather "scribbles on loose scraps of paper, post-its, and newspapers that eventually get tucked away in a box, put up on a wall, or thrown away"! We love her passion for life and her eclectic style, which encourages us to get outside, observe, and appreciate all the diversity our wonderful world has to offer. Find her work here: http://ninachakrabarti.com/
These are just a few of the many amazing women whom we've had the chance to collaborate with over the course of our first three issues. At Illustoria, we are dedicated to increasing the visibility of female creatives by continually supporting and showcasing their work. Additionally, we are committed to promoting women's empowerment in the pages of our mag with stories of both world-famous and lesser-known female leaders from Beatrix Potter to Lee Bontecou. We hope that the stories in Illustoria and the artists behind them will inspire you and the next generation of strong, creative women for years to come.
Creator Crush: Yuliya Gwilym
artwork by © Yuliya Gwilym
artwork by © Yuliya Gwilym
artwork by © Yuliya Gwilym
artwork by © Yuliya Gwilym
One day I was flipping through a draft of Illustoria Issue 3: Outside-In and Yuliya Gwilym's illustrations immediately caught my eye. The bold shapes and extraordinarily unique color palette struck a chord in me, as if my subconscious always wished and longed for Gwilym's unmatched style and then boom -- it was miraculously handed to me on a silver plater.
Yuliya's piece, "Axe Soup," in ILLUSTORIA issue 3: The Outside-In Issue.
I became quickly obsessed with the graphic simplicity and dynamism of her artwork, reminiscent of the Soviet illustrations of Nathalie Parain and Suprematist Kazimir Malevich. Gwilym's accessible, energetic, and endlessly playful work will add an extra dose of happiness to your day. We're so lucky to have the chance to interview Yuliya, as well as showcase her work in Issue 3 and Issue 4 (which comes out this spring)! Make sure to catch more of Yuliya's work at http://cargocollective.com/yufrukt.
What are you currently working on?
I’m currently experimenting with a flip animation book that tells a story about a little elephant. I’m also designing a little game kit for kids with special needs.
artwork by © Yuliya Gwilym
Can you talk about your process of creating a project, from start to finish?
I start by talking about an idea I have with my partner or artist friends. I try to turn visuals I have in my head into words which usually helps me get a clearer idea. I then do a lot of rough sketches and after that go straight into finals, that way I have some room for experimentation and mistakes which sometimes bring the most fun results. I like to work with different media so my design process varies from time to time.
artwork by © Yuliya Gwilym
artwork by © Yuliya Gwilym
Where did you grow up? Where do you live now?
I grew up in Kiev, Ukraine. It’s a big but very cozy city, I spent my summers in the countryside hut built by my grandparents, helping grandma harvest tomatoes and pick up lost animals from the forest in my spare time. For the past 10 years I’ve been living by the North sea, in the Hague, the Netherlands. I definitely miss hot summers and sweet tomatoes but I love to live abroad -- exposure to other cultures brings out the best in people.
photo by © Yuliya Gwilym
What were you like as a kid?
Its hard to say these things about yourself, my mum says I made friends with everyone wherever I went and was generally very open (which often included telling our personal family stuff to strangers).
What were your favorite childhood books?
When I was very young I loved the poetry of Samuil Marshak, I knew most of his books by heart and they had beautiful illustrations by graphic artist Vladimir Lebedev who I still admire very much.
Slonenok (The Elephant's Child) by Vladimir Lebedev
A bit later my favorite books were A Little Princess and The Secret Garden by Frances Hodgson Burnett, The Adventures of Family Mumin-trolls series by Tove Jansson and Karlsson On The Roof by Astrid Lindgren.
Did you have a favorite subject in school? A least favorite subject?
I liked classes of drawing, crafts, mythology, choreography and biology. I really didn't like math…
artwork by © Yuliya Gwilym
When did you know you wanted to be an artist and writer?
In primary school I wanted to build hotels for homeless animals (there are a lot of stray cats and dogs in Ukraine) or be a vet. Later in high school I decided I want to be artist and designer.
Who or what inspires you?
My biggest inspiration comes from children, listening to the weird things they say. I love starting strange discussions with kids and seeing where it brings their adventurous minds. I also find animation and movies very inspiring, old things and folklore, stories from when my grandma was a little girl, I’m inspired by Japan and Japanese yokai, traveling and meeting new people.
photo by © Yuliya Gwilym
What is the most challenging part about being an artist/writer/maker?
Constantly promoting your work, communicating the value, time and care you put into your craft to people who aren’t artists/makers themselves. Staying organised and being able to push forward and keep working even when you’re “not feeling inspired or motivated.”
When do you feel your most creative?
Just before I get into bed.
What advice would you share with young aspiring artists?
Try to be patient. When things seem slow, its not because you're not good it just takes lots of time. Make friends with other artists! It's so much easier when you're not alone and I find young artists’ community very supportive.
artwork by © Yuliya Gwilym
Lisa Brown cover art: The OUTSIDE-IN Issue
We are so pleased to reveal our cover for issue 3, The Outside-In Issue, featuring delectably delicious, wondrously charming art by the amazing Lisa Brown!
As many of you picture book and comic fans know, Lisa is the creator of the ingenious Three Panel Book Review strips featured in The Rumpus, co-creator with Lemony Snicket of The Latke Who Couldn't Stop Screaming, author/illustrator of the hilarious Baby Be of Use board book series, and author/illustrator of her very latest, The Airport Book. Needless to say we've had a creator crush on Lisa Brown for some time....
So when a few months ago Lisa graciously took a morning out of her busy schedule as a writer, illustrator, teacher, mom, and passionate kid-lit advocate to meet with me at one of her favorite cafes in San Francisco, I was beyond excited and a little nervous. I knew through her work that she was exceedingly intelligent and bitingly witty. Being the warm and generous person that she is, Lisa immediately put me at ease. I should have known--after all, those who work in children's books generally are a kind-hearted bunch! Lisa shared with me her thoughts on why it's important to cultivate creativity in kids through that excruciating, self-conscious phase around the middle school years, the range of diverse picture books on her syllabus at CCA, the challenges that women illustrators face in the publishing industry, and she even gave me a sneak peek of her upcoming picture book. (Psst...interview with her and her elusive co-author to come in issue 4!) By the end of the meeting, she sent me along with a list of fabulous artists to contact and agreed to create cover art for an upcoming issue. I was totally blown away...and so grateful, and excited!
Now, here we are several months later with a gorgeous cover by Lisa that speaks volumes about what we at Illustoria care most about: timeless, captivating art with a unique point of view that resonates across generations; the value and delights of print publishing; the power of illustration; our ever-lasting love for visual storytelling. And how cool is this take on the swallowed-whole dilemma from Little Red Riding Hood??! Just wait until you see her back cover....
Thank you, Lisa, for your fabulous contribution to The Outside-In Issue!!
Inside you'll also find Lisa's sketchbook tips to aspiring artists. Truly the inside of issue 3 is just as delectable as the outside, with contributions by an array of lovely artists and writers whom we couldn't have pulled this off without, including: Nina Chakrabarti, Amy Novesky, Paul duCoudray, Micah Player, Willie Real, Elizabeth Haidle, Ruth Kneass, Mike Dutton, Alexis Joseph / Case for Making, Britt Browne, Claire Astrow, Yuliya Gwilym, Alexandra Rose Franco of Rito-ito, Rachel Garrison, Kristen Solecki, Clark Jackson, Martin Cendreda, Anne Pomel, Karl Dotter, and Jeremy Anderson. More sneak peeks to come so follow us on Instagram to see the latest updates.
Here's a look at #3's table of contents, and be sure to check out our Shop page to see sample spreads from this issue and to pre-order. We'll send out copies in March 2017.
The Outside-In issue's table of contents. So much good inside....
I hope you enjoy this issue as much as we loved putting it together.
Lastly, thanks to Sakura of America and Case for Making for sponsoring issue 3!
Making a Magazine: Inside Issue 1
Snapshot of our Issue 1 Contents
Some of you have been asking about what you can expect to find in our premiere issue. After some months of feeling like an overprotective mama bear guarding her treasured babes, I'm finally ready to let these cubs roam just a tiny bit away from their cave.
In issue 1 you'll find interviews with Aaron Becker, Caldecott Honor award-winning author/illustrator of Journey; Newbery and Eisner award-winning graphic novelist Cece Bell; and chef Rayneil De Guzman of Ramen Shop Oakland. You'll read original essays by artists including the celebrated singer, violinist and master whistler Andrew Bird. You'll also discover original comics, illustrations, and stories by a list of swoon-worthy contributors including Lark Pien, David Goldin, Zack Soto, Laurel Snyder, Molly Maeda, Martin Cendreda, Andrew Jaffe, Katherine Tsina Bird, Zack Giallongo, Lisa Maloof, Leela Corman, Thien Pham, Teri Sloat, Brave the Woods and more. With activities, book reviews, music recommendations and a recipe to boot, kids and grownups are sure to find inspiration in these packed 64 pages of joyful visual storytelling and creative expression.
It's impossible to choose favorites, but I'm quite proud to be premiering Elizabeth Haidle's Literary Giants as Kids series, with the first of this 2-page Docu-comix featuring Maya Angelou and her remarkable story from silenced child to internationally renowned poet. I'm also especially thrilled to be sharing Cece Bell's story about the making of her graphic novel memoir, El Deafo, with an audience of young readers who will surely be as moved and inspired by Cece's making-of story as they are of her unforgettable, brilliant book.
Get ready: in just a couple months, these cubs will be off and running, roaming their way into your city, town, and (if you subscribe) mailbox. For now, I hope our issue 1 contents give you a sense of the fresh, new ideas we've been brewing up here at ILLUSTORIA and entices you to join us!