Issue #8: The Home Issue
Cover Art by Carson Ellis
This very dear issue, which features uber talented kid-lit superstars Carson Ellis and Colin Meloy, children’s book pros Nikki McClure and Melissa Sweet, fave musician Andrew Bird and talented designer Katherine Tsina Bird, is all about the subject most dear to our hearts: Home. This issue is also the last one curated by our founding editor, Joanne Chan, as she passes the torch to McSweeney’s (!!!), so you’ll find plenty of extra special love and care pored into it.
The Home Issue showcases all your favorite series like Literary Giants by DocuComix and A Brief History of Color (starring Prussian Blue) by Alexis Joseph and Lindsay Stripling, as well as some timeless original illustrated stories like the non-fiction piece “Beyond the Blueprint: Artists Who Reinvented Home” by Claire Astrow and the first in Lindsay Stripling’s Lore, Myth, Legend series.
If you’re already familiar with Illustoria, you’ll know that we find homes in stories and pictures that sometimes leave us feeling warm and cozy and familiar, and other times take us to extraordinary places beyond our wildest imaginations. Some of our favorite artists and writers contribute to this issue in the form of interviews, original stories, art, and activities to share their unique and extraordinary interpretations on what “home” means to them. You’ll find that there are many ways to define and conjure up the feelings of home, and you’ll also find plenty of opportunities within these pages to partake in sharing what home means to you.
We hope you will consider bringing The Home Issue into your very own home!
“Shelter,” by Jamie Bennett
Excerpt from our interview with New York Times bestselling artists and writers Carson Ellis and Colin Meloy
“Fairytale Homes,” by Docu-Comix, whose Literary Giants and Their Pets is also found in this issue
“How Do You Say Home?,” by Rosie Brand
Excerpt from our interview with award-winning picture book artist and writer Melissa Sweet
“A Brief History of Prussian Blue,” one of our readers’-favorite series by Alexis Joseph (Case for Making) and Lindsay Stripling
“Beyond the Blueprint: Artists Who Reinvented the Possibilites of Home,” by Claire Astrow
Our “Q & Artist” series features beloved artist and textile designer Hillery Sproatt
Excerpt from our interview with quirky and hyper-talented cut paper artist Nikki McClure
A million thanks to our sponsor Sakura of America for their continued support of Illustoria, and for the partnership support of Case for Making!
Issue 8 Home Contributors include:
Cover Art by Carson Ellis
Carson Ellis & Colin Meloy
Nikki McClure
Melissa Sweet
Andrew Bird & Katherine Tsina Bird
A Brief History of Prussian Blue by Alexis Joseph and Lindsay Stripling
Beyond the Blueprint by Claire Astrow
Literary Giants and Their Pets by Docu-Comix
Q & Artist with Hillery Sproatt
DIY Basket Weaving
Fairytale Homes
DIY Peg Dolls
Legends, Myths, Lore by Lindsay Stripling
DIY Cardboard Furniture
Art & comics by….
Shelley Couvillion
Jesse Zhang
Diana Schoenbrun
Anne Pomel
Jamie Bennett
Rosie Brand
Nigel Sussman
Chelsea Larsson
Eline Veldhuisen
Nelleke Verhoeff
Drew Lytle
Jenna Lechner
Vaughn Parish
Day in the Life of Jess Smart Smiley
photograph courtesy of Jess Smart Smiley
If you haven't heard of the multi-talented, rad cartoonist, teacher, illustrator, and writer Jess Smart Smiley, you're in for a treat. Smiley is based in Utah and has created six rad kid's books including Upside Down: A Vampire Tale and Rude Dude Book of Food. His bold drawing style and witty characters are not only smile-inducing, they're approachable. By creating hilarious, instantly love-able personalities out of simple shapes and lines, Smiley makes illustration inviting for readers of all ages and drawing skill. In his latest book Let's Make Comics Smiley leads readers through a roller-coaster ride of 90 jam-packed activity pages that offers a foundation for any budding cartoonist. Best friends Peanut (a turtle donning a top hat) and Bramble (a lady-bug loving bear) star as the teachers of the activity book, creating mischief and adventure on every page. Because the book is set up with its own comic book narrative, Smiley makes learning the ins-and-outs of drawing feel just like watching Sunday morning cartoons. And for kids and grownups that have a paralyzing fear of picking up a pen, this book is a refreshing antidote. We were lucky enough to pick Jess Smart Smiley's brain a bit about the joys and challenges of being a professional artist, the process of making Let's Make Comics, and some of his favorite graphic novel and comic recommendations. We hope you enjoy, and don't forget to check out ILLUSTORIA's Instagram giveaway of the book running now until June 31st!
Let's Make Comics! by Jess Smart Smiley
Hi Jess! Tell us about yourself.
Jess Smart Smiley is a joke. Seriously. He makes rad pictures with his bare hands and has helped more than 1,000 children, teenagers, and adults create their very first comics. See more at jess-smiley.com.
What was the last thing you made with your hands?
I drew this tiger face in my sketchbook.
art by Jess Smart Smiley
In your latest release, Let’s Make Comics, you offer tons of creative, engaging ways for comic book beginners to start creating their own story lines. What was the inspiration behind this book?
6 years ago I was invited to teach a week-long comics workshop to teenagers. I came up with the activity pages as a way for students to complete a comic while also exploring the nature of comics, the role of words and pictures, and a variety of tools, methods, and techniques for creating comics. Since that very first workshop, I’ve used the activity pages to introduce children and their parents to the exciting world of storytelling through comics!
Let's Make Comics by Jess Smart Smiley
What do you love most about creating comic books?
Because a comic can display several illustrations on a single page, it gives me the opportunity to draw a character I love from a bunch of different angles, in a variety of situations, and with a range of emotional expressions.
art by Jess Smart Smiley
Can you talk about your process of creating Let’s Make Comics from start to finish, and share some process pics with us?
Sure! Once I had created a handful of activity pages for my workshop and had seen how helpful they were for beginning creators, I started writing ideas for other possible pages onto index cards. I used something like 350 index cards and then picked my favorite 100 or so from the stack.
From here, I grabbed a bunch of blank 8.5" x 11" copy paper and spent some time drawing very rough versions of each activity. The drawings were sloppy and the writing wasn’t usually well-thought-out, but my goal was to get the idea down on paper in a way that I could understand and make a final version from.
art by Jess Smart Smiley
I scanned each rough activity page and pulled them one at a time into Photoshop, where I created new layers for my final drawings, colors, and text.
art by Jess Smart Smiley
(As a side note, there was one Sunday when I still had something like 20 activity pages to rough out. I was starting to lose steam from so much drawing, but there was a sudden rainstorm and our power went out. I love a good rainstorm, so I sat on the porch and drew the final 20 pages, charged by the energy of the storm.)
Let's Make Comics by Jess Smart Smiley
If you could be any comic book character from history, who would you be and why?
Probably Snoopy. Now THERE’S a dog who knows how to have a good time! Plus, his dog house can fly!
What were you like as a kid?
Quiet. Timid. Always drawing in class. I loved playing basketball and kickball at recess and reading everything from Roald Dahl and Beverly Cleary.
art by Quentin Blake from Roald Dahl's Fantastic Mr. Fox
art by Louis Darling from Beverly Cleary's Ramona
What is the most challenging part about being an artist/writer/maker?
Pitching a new idea. Publishers want to make great books, but they can’t just trust a creator to do whatever they want. Publishers want to know what your next book will be before you’ve made it. That means a creator has to prepare some illustrations and writing that demonstrate and describe a book before it ever exists. If I don’t put enough thought into the drawings and writing in my pitch, then I leave too many gaps in the story and holes in the idea for publishers to guess at. It’s like not finishing a sentence—and how often do people guess at exactly what you were trying to say?
art by Jess Smart Smiley
Where/ do you feel your most creative?
When I’m working on a project I’m really enjoying, but also have time to explore doodling in my sketchbook and time to read.
What is your favorite activity from Let’s Make Comics?
I love watching children, teenagers, and adults complete the “Let’s Take a Walk” activity on page 26. The comic is missing backgrounds and environments, so it’s up to the reader to draw their own into the comic.
Let's Make Comics by Jess Smart Smiley, page 26
What are some comics every kid should get their hands on, ASAP?
There are so many great comics out there and I’ll never be able to list them all. That being said, here are some of my favorites that I often recommend:
Bone by Jeff Smith is a wonderful fantasy adventure centered around a lovable cast of friendly cousins who find themselves in a magical and terrifying forest, where they encounter horrific creatures, the Great Red Dragon, and a host of mysteries.
The Hazardous Tales series by Nathan Hale recount true tales from history in an incredibly informative and entertaining way. There are currently 7 books in the series, covering everything from the Revolutionary War to the Donner party and World War II.
The Unsinkable Walker Bean by Aaron Renier is the book I’ve gifted the most—to young readers, to my cartoonist friends, and to anyone who enjoys a good story. Walker Bean is a young boy who takes to the high-seas in an attempt to relieve his grandfather from an ancient curse. Along the way, Walker Bean encounters pirates, sea witches, mysterious machines, and a magical glowing skull. Do yourself a favor and read it before the sequel comes out this October!
Raina Telgemeier’s Smile tells the story of the author’s sixth-grade experience with injuring her front teeth, getting braces, trying to understand boys, and finding her true friends.
Luke Pearson’s Hilda books are incredibly charming, filled with beautiful illustrations, giants, sprites, trolls, and hounds, adventurous stories, idyllic landscapes, and a curious blue-haired girl named Hilda. (Did I mention Hilda is coming to Netflix this Fall?!)
What is the day in the life of Jess Smart Smiley?
On any given day I might be working on a new comic, illustrating a picture book, designing a video game, creating character designs, developing story ideas, drawing in my sketchbook, teaching a comics workshop, or doing some combination of these things.
I prefer to wake up and get right to work, usually by finishing something I started the night before. (It’s helpful for me to finish something early in the day, so I can stay motivated to keep going.) I keep a to-do list in my sketchbook of different things that need to be done for each of my projects, which makes it easy for me to know what to do next. I’ll often prioritize my projects by ranking them in the order they should be completed, and then I’ll try to come up with a rough idea of how much time any one task with take. I never have to ask myself What should I do next?, because I’ve already thought through what needs to be done.
art by Jess Smart Smiley
After writing, drawing, and planning at home, I might spend a few hours working at the library, the local Barnes & Noble, or my neighborhood comic shop, Dragon’s Keep. I meet up with local business owners, friends, and fellow creators to talk about upcoming projects, or I might take the role of consultant, offering what I hope are helpful thoughts for writers, artists, comic book creators, and others in the community.
In-person events are also a big part of my schedule. Over the last few years I’ve been able to help more than 1,000 children, teenagers, and adults complete their first comics. I started with a week-long comics workshop, and have since introduced others to making comics at school visits, library events, Girl Scout meetings, comic conventions, book festivals, writing and art symposiums, and Skype visits. Last month I was able to visit a group of schoolchildren in Pakistan and a comic festival in England, all thanks to the magic of Skype!
I love seeing people’s reactions to Let’s Make Comics, and knowing that I’ll be teaching others about the things I’m learning about making comics helps me stay committed and really consider what I’m doing and how I’m doing it.
My family and I spend time together and I like to get a little reading in, maybe go for a walk, and then I do a little more drawing or writing before bed. Pretty exciting!
We hope you enjoyed this interview with Jess Smart Smiley! Don't forget to head on over to our Instagram for a chance to win Let's Make Comics in our giveaway (closes 7/31).
If you've got the comic-loving-bug, you will obsess over ILLUSTORIA's Issues #1 - #7. Each issue of ILLUSTORIA is filled to the brim with comics, illustrated short stories, interviews with artists, coloring pages, DIYs and more. Order an issue or a subscription today and fill your days with creativity!
CALL FOR SUBMISSIONS! THE BLACK & WHITE ISSUE
Art by Elizabeth Haidle
Are you an artist or writer who would love to contribute to ILLUSTORIA? Well, we'd love to hear from you!
We have a few slots left in our upcoming issue, themed "BLACK & WHITE." In particular, we're looking for:
- a couple of 2- to 3-page comics or illustrated stories
-spot art or standalone illustrations + minimal text or poetry
-1–3 panel comic strips
Pssst...! We may be a wee bit biased toward work that celebrates diversity, silent films, and b&w photography...but also totally open and excited to see your original ideas!
Submissions due by October 12th, 2017. Find out more about our submissions guidelines here, then email your submission to: submissions@illustoria.com.
Good luck!
Announcing #5: THE MOTION ISSUE
We are thrilled to present issue #5 of ILLUSTORIA, The Motion Issue. This issue is currently at the printer and will be delivered in the coming weeks so be on the lookout!
The Motion issue is bursting with invigorating stories and comics that will get your brain humming and your feet gearing up for action. We asked writers, artists, and makers to explore motion in all different forms, and the result is a meditation in movement in the form of sea creatures at the aquarium, the gallop of horses, journeys into space and fantastical worlds, the capturing of motion through art and photography, and even the progressive, forward-movement of trailblazers and activists.
Start off the school year inspired and energized through interviews with writer/activist Kate Schatz and visionary artist Miriam Klein Stahl of the bestseller Rad Women Wordwide.
A spread from our interview with rad women Kate Schatz and Miriam Klein Stahl of Rad Women Worldwide and Rad American Women A-Z
Learn how to make your own Victorian-era animated thaumatrope with a DIY activity by our creative director, Elizabeth Haidle.
DIY Victorian-era thaumatrope activity
Become a color detective when you read a brief history of vermilion by pigment and watercolor expert Alexis Joseph of Case for Making and master watercolorist Lindsay Stripling.
A Brief History of Vermilion by Alexis Joseph and Lindsay Victoria Lee, for issue #5: Motion
Fall in love with heroes of art history through eye-opening comics on Eadweard Muybridge, Madeline L'Engle, and Henri Matisse, and enjoy so much more in the form of comics, illustrated stories, book recommendations, a playlist and recipe, coloring pages, and activities.
Photographing Motion: Eadweard Muybridge, by Marlowe Dobbe for issue #5: Motion
Spread from Literary Giants as Kids: Madeleine L'Engle, by Elizabeth Haidle for issue #5: Motion
So get moving and pre-order your copy of The Motion Issue on our shop page or at your local favorite shop, newsstand, or bookstore!
Making a picture book: An Apple and An Adventure
An Apple and An Adventure comes out in June 2017. Win a signed copy + original art by Martin Cendreda here!
Today, guest blogger Martin Cendreda, illustrator, animator, comic book maker, and author, shares with us a behind-the-scenes look at the inspiration behind and the making of his latest picture book, An Apple and An Adventure. Win a signed copy of his book and an original print by Martin by entering our drawing contest.
Without further ado, here's Martin!
This was one of the earliest drawings of the cave girl and her triceratops pal. I added the text sometime later, when I decided I wanted to make a self-published zine using them as the main characters. When I first drew them, I was thinking of making a comic, but at the time, my kids were learning how to read. Consequently, I was reading a lot to them, and vice versa, so I thought why not make it a kids zine (the book thing came later) My friend John has a risograph machine, which is like a fancy color printer, and he agreed to help me print the zines. My friend Dave owns a comic book, The Secret Headquarters, here in LA and he could sell them there. Perfect!
These are 3 books that were huge inspirations to me, when I started. TOP: The Wonderful Egg by Dahlov Ipcar, bottom left: Moke and Poki in the Rain Forest by Mamoru Fuani, bottom right: Destined for Dizziness by Souther Salazar. Dahlov Ipcar is one of my all time favorites! Sadly, she died a few months at age 99. She was working right up until her last day, one of the hardest working artists around.
I made little booklets from regular old copy paper (folded over, stapled through the middle, then cut in half). In them, I would write a whole bunch of alliterative sentences using the letters of the alphabet. Then I would sketch out scenes to match them. I would do these sketches at a cafe for 30 minutes before work started. It was my favorite time of day, just drawing and drinking coffee. Nothing better!
Once I settle on the dimensions of the zine. I made a mock-up from sheets of 8.5 x 11” paper folded in half and stapled. I would re-sketch my initial sketch ideas to fit this format, then cut and paste them into the mock-up. This mock up gave me a rough idea of what the finished zine might look like. It also gave me a chance to edit words and/or pictures that I wasn’t happy with. This part was really messy but so much fun, cutting, pasting, taping things into a little booklet.
Computers. Once the mock up was done, I scanned it into the computer, page by page. Then I would clean up the sketches a little more in Photoshop. Then I would draw clean lines over that. I use a Cintiq, which is special monitor that you can draw with. Once the linework was done, I then colored each drawing in photoshop.
I then printed out the images on John’s risograph machine, using my old mock-up to determine which images go on which side of the paper. Then I took all those print outs to a copy place where they assembled them into booklets, stapled them, and trimmed them down to the final dimension. And voila, zines!
Matt Gagnon, Editor in Chief over at Boom, bought the zine version at Secret Headquarters. He liked it so much, he offered to re-publish it in a nicer, hard-cover edition. How could I say no! All the artwork was mostly done, all I had to do was clean up the lettering, draw some endpapers, and add some things to the cover. Here are some pics comparing the zine version to the book version.
More images of the final book!
We hope you enjoyed reading about Martin's process in creating An Apple and An Adventure, from inspiration to sketching, zine-making, and printed hardcover picture book! Don't forget to enter our drawing contest to win this book and an original piece of art by Martin.
Drawing Contest! Win a signed book + original art by Martin Cendreda
Contest page in Issue 4: The Grow Issue. Enter to win An Apple and an Adventure and a piece of original art.
Do you have a copy of ILLUSTORIA issue 4: The Grow Issue? If so, you can enter our drawing contest for a chance to win a signed copy of An Apple and An Adventure PLUS a piece of original art by the talented illustrator-animator-storyboard artist-comic book maker-author Martin Cendreda!
All you or your creative little one will need to do:
1. Draw what you think will grow in the empty space on the page (pictured above). Bonus points for creating a ditty for the cave girl to sing!
2. Send a photo or scan of your artwork to hello@illustoria.com.
Contest runs from May 01, 2017 to July 15, 2017. (Deadline has just been extended so don't delay!) We will choose a winner on/around July 15, 2017. (For further details, see our contest rules.)
Here's a look at Martin's comic, "Seed Songs," which appears in Illustoria: The Grow Issue.
This adorable comic was inspired by the characters in his new book, An Apple and An Adventure, published by Boom! Studios. In this engaging book that grownups will enjoy just as much as little ones learning their ABCs, a cave girl and her triceratops set out on an adventure from A to Z and make new friends along the way. They meet all sorts of characters including galloping goliaths, nine newts, petite plesiosaurs, and more. Martin creates a fantastical landscape that will have everyone poring over the details--large and small, simple yet other-worldly. It's a total joy to read so don't miss out on this opportunity to get a signed copy + an original piece of art!
From Boom! Studios: An Apple and An Adventure uses rhyme and the ABCs to create an engaging world of wonder that's both educational and fun.
Martin was kind enough to give us a behind-the-scenes look at the making of this book. Read all about his fascinating process sketching, developing, and creating his book here.
So don't delay. Get out your copy of Illustoria: The Grow Issue, color and draw to your wild imagination's content on our contest page, and send in your entry here!
We look forward to seeing what you come up with. Good luck!!
THE CANVAS ISSUE is IN
Cover art by Herve Tullet, from his book Mix It Up!, published by Chronicle Books; Cover design by Elizabeth Haidle
We are so thrilled to announce that Issue 2 has arrived and is getting ready to ship to our dear readers! (Stockists: Please contact us to place your order!) The Canvas Issue is overflowing with vibrant, gorgeous art by some of our favorite artists and writers. From the awesome cover art and interview feature with Press Here author Hervé Tullet to a Q&A with Tony DiTerlizzi of The Spiderwick Chronicles and The Search for WondLa series, a biographical story on Martha Graham by Laurel Snyder and illustrated by Marlowe Dobbe, a comic on Georgia O'Keeffe by Todd Webb, a non-fiction piece, "Beyond the Canvas," by our very own Elizabeth Haidle of Docu-Comix featuring artists Lee Bontecou, Frank Stella, Diego Rivera, Louise Bourgeois, and Christo & Jeanne-Claude and so so much more.... It's an embarrassment of riches to be sure!
Here are a few pages from the packed 64-page issue.... Please enjoy! : )
Excerpt from "Beyond the Canvas: Artists Who Reinvented the Rectangle" by Elizabeth Haidle
Excerpt from "Mix, Splash, Muddle" by Julia Breckenreid
DIY twig mobile by our very own Claire Astrow!
Excerpt from our interview with Tony DiTerlizzi
Excerpt from "Georgia In the Desert" by Todd Webb, a comic that draws from O'Keeffe's own writing.
Purchase your copy here or ask for issue 2 at your fave local bookstore. xox
Todd Webb Follows Georgia O'Keeffe in the Desert
Meet Todd Webb, who lives in Virginia Beach, Virginia, and who graces the pages of the — upcoming! — second issue of Illustoria with a gorgeous, reflective piece about the great American painter Georgia O'Keeffe. Todd's comic is drawn, literally and figuratively, from O'Keeffe's own writings — he uses her own words. Webb shared shots of his studio, and his thoughts about creativity, and much more, in the following interview.
What were you like as a kid?
Shy and quiet — picked on a lot, so I kept to myself or a small but close group of friends. My favorite place was the library, and I was always reading or drawing.
What were some of your favorite childhood books?
Early on I read all the Encyclopedia Brown and Hardy Boys books — my dad still had a full set of Tom Swift books too and we read those together when I was really little. I've still got those. I read a lot of Peanuts collections. And Calvin & Hobbes. My dad had a lot of sci fi books so I read a bunch of those at an early age too, but eventually started reading "classics" — Salinger, Hemingway, etc. etc.
When did you know you wanted to be an artist and writer?
When I figured out that Charles Schulz made Peanuts and that was his job — the idea that you could grow up and draw comics for a living instantly overtook my brain, and I never stopped shooting for that goal, though eventually my aim shifted to comic books instead of comic strips.
Todd Webb's studio
Who or what inspires you?
Everything — haha. I'm constantly getting ideas from things and people I encounter, see, read about, etc. I like to read poetry. That always gives me weird fun ideas to try out with comics.
When do you feel you're most creative?
It used to be late at night, but as I've grown older I think I tend to do my best work if I get started first thing in the morning. But a big aspect of being creative is being able to make yourself just do the work every day — even if you're not feeling "inspired" — you've still gotta hit the drawing board and make something!
The artist at work
Do you have a favorite type of pen, or brush, or paper for drawing with?
For years now I've been inking with Faber Castell Pitt Artist brush pens. I love them! I usually draw on Strathmore Bristol board. I'll buy a big pad of it and trim the paper to whatever size I need for a specific project.
It all starts with pencil on paper.
What advice would you share with young aspiring artists?
Keep at it! And do it because you love it. Make work and show it to artists you admire. Don't be afraid of mistakes and don't think you need to draw a certain way or that you need special supplies. Do the best you can do with what you have!
Why did you draw something about Georgia O'Keefee?
There's a couple reasons. A few years back I got to see her painting "The Lawrence Tree" (which is a great painting of a tree she used to sit beneath on the Lawrence ranch, seen from beneath as if you were looking up through the branches) and I really liked it. So I started to dig through other works of hers I hadn't been familiar with, and that led me to a big collection of her letters, which were a great read as well. I ended up writing a song about the Lawrence Tree painting, as well as one inspired by a letter ("The Lawrence Tree" and "Georgia, 1931" respectively on the Seamonster album Baldessari). So that was one thing. In the interim, I've really enjoyed connecting with other artists and writers and musicians from the past whose work really speaks to me by making something myself inspired by their works, be it a comic, a drawing, or a piece of music. I think engaging with an inspiring piece of work by making a piece of my own helps me process and figure out what it is I like about it so much, and also serves as a way of having a "conversation" with that person who maybe isn't even alive anymore. Anyways, back to Georgia: in reading books about her I realized she was good friends with the photographer Todd Webb (which is my name!) and it was amusing to me when I'd come across a letter of hers addressed to someone with my name. It was pretty surreal. I was already familiar with that Todd Webb's work, because ever since Google was invented, if you search for me, you'd also get results for him (he was very well known, and many of his photos were of Georgia O'Keeffe) So I thought it would be fun to further confuse the internet by putting a work of my own out there about Georgia O'Keeffe.
Four panels from Todd's upcoming Illustoria comic
What was the process like, working from her own words?
Great fun! When I'm working on a piece like this, I really respond to particular writings of the artists that resonate with my own thinking. For years I used to keep a comic strip diary, and so working on a comic like "Georgia in the Desert" feels almost like drawing my own cartoon journal. I may be drawing about someone else and using their words, but it feels very personal to my own thinking. If that makes any sense!
How does the idea of making art from the things you come upon in everyday life — which is a theme of the comic you drew — inform your own work?
Immensely. I think the things we encounter every day we often take for granted, so it's fun to focus a work on something small and seemingly insignificant — we are surrounded by so much wonder and beauty and we often forget to pay it any mind — Georgia painting huge gorgeous abstractions based on the surface of a rock, or a bone, or a flower or a row of clouds is a perfect example of really appreciating your everyday surroundings, whatever they may be.
Todd's synthesizers are right on his studio bookshelf.
Tell us a bit about your music?
When I'm not drawing, I'm usually making music. At this point I have two projects: Seamonster is my main outlet, which is poppy semi-electronic songs that I guess sound a bit like girl groups from the 1950s mixed with something like Kraftwerk, haha. Contemporary songwriters like Stephen Merritt (of the Magnetic Fields), Mark Mulcahy (Miracle Legion, Polaris), and Dean Wareham (Galaxie 500) are huge influences. I also recently have started releasing music under the name Oahu, which is quieter ambient electronic experiments in the vein of Brian Eno or someone like William Basinski. Oahu uses lots of synthesizers and tape loops and has no singing. Its good background music for reading.
What work of yours should an Illustoria parent read next?
Chance Operations: it's a collection of shorter experimental comics where I used chance operations (made famous by composer John Cage) and flipped coins to determine where images, colors, and text would go. It reads more like poems than a traditional narrative, and has a little essay explaining the process in more detail.
An interior page from Webb's Chance Operations
What work of yours should an Illustoria kiddo read next?
Tuesday Moon: it's the story of a girl named Tuesday who has a rotten day at school, and is paid a visit by the Mann (two n's) in the Moon. They go on an adventure in space together and the moon helps her realize maybe her day wasn't as rotten as she thought it was. Raina Telgemeier, author of Smile, said, "Tuesday Moon is charming, thoughtful, and full of the best kind of whimsy."
An interior page from Tuesday Moon
The ILLUSTORIA Story
Hello and welcome to Illustoria, a place for visual storytelling and DIY culture. Two years ago when I was a children’s book editor at Lucasfilm working among some of the most amazing storytellers in film, television, comics and books, I had a vision for a new type of magazine for kids—one that would celebrate stories, art and creativity. A magazine that, like any good book for children, could be equally enjoyed by grownups.
Handmade book by Marcas, age 6
Welcome to ILLUSTORIA, a place for visual storytelling and DIY culture. We commission and celebrate the works of established and up-and-coming artists, writers and makers. Our commitment is to providing a high-quality print magazine that inspires and delights creative kids & their grownups through original stories, art, interviews and activities. This is the origins of our story:
Two years ago when I was a children’s book editor at Lucasfilm, I had a vision for a new type of magazine for kids—one that would showcase stories and art while giving readers insight into the creative process. A magazine that, like any good book or entertainment for children, could be equally enjoyed by grownups.
Why a children’s magazine at such a precarious time for print? For one, for the love of print. But also because I really wanted to see this vision out in the world. As a mother of two working in the field of children's book publishing, I felt fortunate everyday to be collaborating with amazingly talented illustrators, comic artists and storytellers. At Lucasfilm I was surrounded by passionate people who shared a love of storytelling in all forms--through writing, illustration, animation, film, television, performance and music. It was around all this creative energy that I felt compelled to express something unique and true to myself. I was ready to create something meaningful that I could not only bring home to my kids, but share with them.
I wanted an experience where kids and grownups could enjoy comics and stories together, be exposed to contemporary artists and makers working their crafts out in the world, discover the next best song to put on repeat, find a fun new recipe to cook up for dinner, feed their imaginations and get inspired to make, journal, draw, craft and express something unique and true to themselves.
I was also witnessing the incredible renaissance taking place in the realm of children's books. Like wildflowers spreading on the High Line, new ideas and styles and voices were thriving. For all the agonizing over the decline of print publishing, there came a surge of high-quality picture books, graphic novels, chapter book series and early readers. Artists and writers declared a new playing field with the picture book manifesto. New indie presses and established houses dared to go against the tried and true and readers began to find books without pictures, graphic retellings of classics, oversized books that don't fit spine-out on bookshelves, books that enchanted big people as much as they did little people, books without happy endings and books that said something brand new and made us wonder.
Also all around me I saw a proliferation of quality print magazines that put content, design, and artistry above ads and mass production. These were magazines that I couldn't get enough of, that I wanted to pore over, collect, share and keep on my coffee table forever. They were founded by fellow staunch lovers of print who captured an audience eager to slow down and take in well-curated, beautiful, intelligent stories and pictures.
I was sure that a well-designed, thoughtful, contemporary children's magazine--one that celebrated visual storytelling and artists as much as it did a DIY ethos--was not only missing but would be welcomed by a new generation of parents and young readers. Where was the publication, like all those wonderful children's books, that I'd want to read and feel inspired by as much as my own two kids would? I couldn't wait to shepherd the idea to life.
Now, here we are in 2016 and that vision, the magazine, is taking shape. I have an awesome group of folks realizing and creating ILLUSTORIA along with me, whose smart ideas and playful perspectives have made it something bigger and better than I could have imagined. With backgrounds in design, comics, illustration, writing and publishing, they share a belief in the power of stories, art and creative expression. We are hard at work on our first issue, all about beginnings. In it we learn from Cece Bell about the making of her graphic novel El Deafo, discover how Andrew Bird prototyped a make-shift violin at age 4, glimpse into Aaron Becker's process illustrating Journey. On top of that we have original contributions from dozens of new and familiar artists and writers in the form of illustrated stories, comics, DIY activities and more.
I hope you follow along on Instagram, Twitter and Facebook, and make sure to sign up for our newsletter so you get the latest ILLUSTORIA news in your inbox. If you like what you see, please consider a subscription or a gift subscription for a loved one to our magazine. I would be thrilled to have your company as we see this vision through and embark on this new adventure.
Happy Reading!
Joanne