Why You Ought to Doodle Every Day

Jon Burgerman is a Brooklyn-based, award-winning purveyor of doodles and author of several books including his latest, Jon Burgerman’s Daily Doodle. You might recognize Jon’s art from his popular social media channels, paintings hanging in London’s Victoria & Albert Museum, highly-designed airline barf bags, and even a custom line of Crocs™.  

This week, Jon joins Illustoria to share some insight into his quirky art style and why he doodles constantly. 

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There are several reasons why I think drawing is so vital. By the way, drawing and doodling are pretty much the same. I like to use the word doodling because it sounds more causal, goofy, and easy-going—a bit like me!

Photo © Bas Berkhout

I like to doodle every day because it helps me hone my drawing skills. The more I draw, I gain a better understanding of the materials and my own hands. It’s not so much about becoming ‘better’ but gaining more insight into how everything works together.

Photo © Bas Berkhout

Doodling helps me think. I find when I doodle I come up with ideas that I couldn't come with if I didn't have a pen in my hand at the same time. For me drawing and doodling is a discipline of thinking.

Drawing and mark-making in general is just a different means of thinking and articulating visually. Being able to share ideas visually is very important, especially in our overloaded-with-visual-information-modern world. Almost everything we interact with was once originally devised as a drawing. Doodling helps us learn how to speak visually. It’s a global language.

From Jon Burgerman's Daily Doodles. Published by Laurence King Publishing. 

Super accessible and silly prompts for all ages. 

Learn to draw from combining simple shapes. 

Doodle first, then color in!

Our favorite: Tofu gorilla.

From Jon Burgerman's Daily Doodles. Published by Laurence King Publishing. 

We adore this cover and all the ridiculously fun and engaging doodling prompts in this book, which comes with cool doodle stickers to complete and stick anywhere!

Doodling can be meditative and relaxing. It often helps me focus and order my thoughts. Seeing my ideas scribbled down on a page helps me understand them a lot better than juggling them in my head.

But overall, doodling is simple just good fun. Absolutely anyone can do it and get a great kick of it. Creating is fun and it makes us happy. So grab a pen and get doodling. It doesn’t matter what you draw—just have fun, and see what happens!

Now it’s your turn to get doodling. Be sure to enter the #DailyDoodleBook drawing competition from Laurence King Publishing! 

 To see more of Jon’s work, follow him online at @jonburgerman. 

Playlist: Issue #4 Grow

Our playlist for The Grow Issue is all about things growing, changing and transforming. It's not always easy to grow, but with help from these songs we hope you can have the courage to metamorphosize and evolve. Perhaps this music will also let you slow down and watch the rest of the world grow too.

Artwork by © Sofie Louise Dam for ILLUSTORIA #4: The Grow Issue

Playlist: Issue #3 Outside-In

Our playlist for The Outside-In Issue is filled with songs you can carry with you wherever you go, whether it's out in the rain or camped out in a tent pirched in your living room. We hope this music inspires you to go outdoors, look within, and think about what it means to be "outside-in".

Art by © Rachel Garrison for #3: The Outside-In Issue

Playlist: Issue #2 Canvas

Our playlist for The Canvas issue is inspired by all things that come to mind when we hear this word: from the material to a blank slate to endless possibilities. These songs make the perfect soundtrack for getting in the groove of art makin' and creative day dreaming. We hope this playlist sparks the idea for your next genius creation.

Art by © Julia Breckenreid for #2: The Canvas Issue

Playlist: Issue #1 Beginnings

Our playlist for The Beginnings Issue is about all sorts of different beginnings. May these songs inspire you to leap into something new, whether it's planting a seed in your garden, starting a painting, or moving across the world to an exciting new city.

Art by © Aaron Becker for #1: The Beginnings Issue

Cray-Pas Oil Pastels

The first time I picked up an oil pastel was in the fourth grade, when I fell head-over-heels in love with the notoriously shorty of Post-Impressionist fame, Henri de Toulouse-Lautrec. If I recall, it all started with an assignment to create a class report on a famous artist that I took far too seriously. When the project was assigned, there was no doubt in my mind that I would report on Toulouse-Lautrec. Just the weekend before my grandma and I had visited the Norton Simon Museum in Pasadena, where I became hypnotized by the artist's boisterous cabaret ladies drawn fanatically in day-glo colors I never knew we were allowed to use. That a lady's face could be colored absinthe green and her legs neon purple simply blew my mind.

Seated Dancer in the Pink Tights, Henri de Toulouse-Lautrec, 1890. 

At the Moulin Rouge, Henri de Toulouse-Lautrec, 1895. 

I came away from the museum knowing two things:

1. Henri de Toulouse-Lautrec was my new favorite artist of all time. 
2. Oil pastels, Toulouse-Lautrec's art material of choice, were the coolest thing ever. 

Fast-forward thirteen years later, and I still feel the same way. If you ask me, oil pastels, specifically Sakura of America's Cray-Pas Junior Artist Oil Pastels, are an essential in any art class or creative home. Why, you ask? Well if Toulouse-Lautrec's paintings aren't proof enough, get this: oil pastels are so incredibly waxy and smooth that when you drag a stick across the page it feels like drawing with butter. It's insanely satisfying! 

Also, Cray-Pas are filled to the brim with delicious pigment, and are exceedingly more rich and vibrant than your run-of-the-mill oil pastels. The smooth quality of the sticks allows Cray-Pas colors to be super easy to mix and blend. There's many different styles and techniques for drawing and blending, and it's fun to experiment with oil pastels to see what works.  

Some helpful tips and tricks for using Cray-Pas oil pastels that I've learned over the years:

1. Mixing colors with your fingers (like you easily can with chalk pastels) is fun, but pretty messy. Try using a palette knife to mix, or experiment with the amount of pressure you use when you press down your pastel. 

2. Experiment with different drawing surfaces. Grey and dark beige heavy weight paper amplify the vibrance of the pastels. Pastels also look ultra-cool on cardboard!

3. There are many different stroke methods you can use to create interesting effects with oil pastels. You can layer colors to create unique color combinations, or try sgraffito, a method of scratching lines through thick layers of colors to reveal the color underneath. 

You can also try stippling, a method where you use short, quick strokes or dots of color to create an optical effect when seen from far away, as in Georges Seurat's Pointillism paintings. To create a soft, defused effect like Claude Monet, try scumbling by creating controlled scribbled marks. 

Close-Up of Circus Slideshow,  George Seurat, 1888

Impression, Sunrise, Claude Monet, 1872

4. For inspiration, make sure to check out Toulouse-Lautrec's gorgeous oil pastel sketches of everyday life. 

Henri Toulouse-Lautrec

Henri Toulouse-Lautrec

We're so excited to have Sakura sponsor Issue #4 of Illustoria, which is on shelves and available now. We hope you enjoy our Cray-Pas oil pastel tips, now get out there and start sketching! 

Illustoria in East Bay Express

We are so honored to be reviewed in East Bay Express! Read the full review here or in the image below. Thanks, Oakland, Berkeley, and East Bay for all your support of our indie publication. Without the support of our local community--from librarians and parents to booksellers and shop owners--we couldn't do what we do.

This indie mag is rooted in the diverse community here in the Bay Area, and we thrive on working with local artists, writers, and makers. Local contributors include chef Rayneil DeGuzman of Ramen Shop; sculptor Ruth Kneass; issue 4 cover artist Lindsay Stripling; celebrated kid-lit author Lemony Snicket; writer, artist, and teacher Lisa Brown; writer Kate Schatz and artist Mariam Klein Stahl (Rad American Women A-Z); Matt Dick of Small Trade Co; pastry chef Kiri Mah of Pizzaiolo; Alexis Joseph of Case for Making; illustrators Mike Dutton, Rachel Garrison, Micah Player, Willie Real, and so so so many more.

Thanks again to everyone who have supported Illustoria through our first year, and to all those of you who are just discovering us: please support us with a subscription or by picking up a copy at your local library, bookstore, or shop!

Review by Ruth Gebreyesus for East Bay Express, who notes that "As a grown up, I particularly enjoyed the magazine's book recommendations section, which featured a diversity of children's books from Rita Williams-Garcia's Oakland Black Panther tale One Crazy Summer to Yuko Higuchi's fantastical Magical Coloring Museum."

Renew Now! (10% off + free bookmarks)

Wow—already four issues of Illustoria out in the world! Renew your subscription today and get 10% off your subscription of issues 5–8 + a set of three Illustoria bookmarks! Enter promo code RENEW at checkout. Offer good thru July 31, 2017 (or while supplies last) for early-bird re-subscribers only. Continue to support our indie mag for creative kids & their grownups. Subscribers are *so essential* to Illustoria. We can’t emphasize enough how important each and every one of you are in helping us to realize our vision and to make possible the collection of talent we present in every issue.

Image courtesy of Miranda Rosbach of the popular literary blog My Bookbloom

Renew now to receive a year’s worth of inspiring stories, art, comics, interviews, recipes, DIY activities, crafts, coloring, book and music recs, and many more interactive ways for kids and grownups to engage creatively throughout the year. Each renewal supports our indie publication--we don't rely on ads or mass distribution--so every subscriber counts and is deeply appreciated. Thank you in advance for your support!

xox 

The Illustoria Team

Heath Newsstand Launch Party

Photo courtesy Heath Newsstand

Get out your party hats and come celebrate with us on June 3rd, 2017 for the launch of Heath Newsstand, a new gorgeously curated space of printed publications at Heath Ceramics!  From 10 AM–1 PM, we'll be hosting a craft table where kiddos & grownups alike can color, write, and make their very own books and zines. While you create, there will be delicious pastries provided by Tartine Manufactory and free juice samples from the Juice Shop truck. But wait there's more—we'll be giving away adorable limited-edition pins, stickers, temporary tattoos and postcards. What could be more delightful?

In addition to crafts, we'll be showing off our newly released Issue 4: The Grow Issue along with our past issues 1–3. 

After you've crafted to your heart's content, stick around to meet contributors from other local publications:

2–4 PM: Meet the team behind the National Magazine Award-winning publication The California Sunday Magazine. Full of ambitious true features and cinematic photography from across California, the West, Asia, and Latin America. Chat with Leo Jung, Creative Director, and Jacqueline Bates, Photography Director. And, don’t miss the free samples from San Francisco-based Original Grahams, graham crackers with quite the underground following in the city.

5–7 PM: Franchise will be presenting their newest issue and limited-edition print giveaways. It’s a global basketball print-only magazine full of vibrant photography, illustrations, interviews with designers and players, and covers locations from LA to Ghana. We’ll have beer from our friends at Fort Point Brewery along with bread and cheese from Tartine.

Photo courtesy Heath Newsstand

Heath Newsstand is a democratic space for the local community and visitors alike, with a wide range of topics to explore: international design publications, hard-to-find printed matter from far-off cultures, food and lifestyle magazines, and your favorite daily newspapers. There’s also a sweet selection of classic candy, snacks, cold drinks, cards from our favorite printers, and flowers from La Fleuriste. Plus, bags and accessories from Heath Sews, perfect for work and travel. 

For more information about the event, check out: http://mailchi.mp/heathceramics/youre-invited-heath-newsstand-grand-opening?e=94d3664172
 

Photo courtesy Heath Newsstand

What: Heath Newsstand Launch Party -- ILLUSTORIA DIY bookmaking & crafts

When: June 3rd, 2017

Time: We'll be there 10–1 PM, but the festivities continue until 7 PM!

Where: Heath Ceramics, 2900 18th Street
San Francisco, CA 94110

RSVP here.

Photo courtesy Heath Newsstand

See you there! 

Bay Area Book Festival 2017

We can barely contain our excitement for the literary extravaganza that is the Bay Area Book Festival coming up this Saturday and Sunday, June 3rd + 4th, 2017, from 10 AM–6 PM in Downtown Berkeley! ILLUSTORIA will be holding a Book Arts Craft Table for kids and grownups to make their very own zines and books. And that's not all! We'll be giving away tons of ILLUSTORIA swag, including cute bookmarks, pins, stickers, temporary tattoos and postcards! 

In addition to crafts, we'll be selling the newly released Issue 4: The Grow Issue along with past issues 1–3, and our super durable, extra stylish, limited-addition tote bags! 

You won't want to miss the incredible lineup of speakers and events at this year's Bay Area Book Festival, including critically acclaimed children book authors Jon Agee, William Joyce, and the amazing illustrator Ana Aranda. Check out the stacked lineup on their website at https://www.baybookfest.org/2017-schedule/. 

FREE admission to the outdoor street fair. A $15 pass gets you into all indoor sessions. More info here. 

What: Bay Area Book Festival

Where: Downtown Berkeley

When: June 3 + 4, 2017

Time: 10 AM – 6 PM

Can't wait to see you there! 

Making a picture book: An Apple and An Adventure

Today, guest blogger Martin Cendreda, illustrator, animator, comic book maker, and author, shares with us a behind-the-scenes look at the inspiration behind and the making of his latest picture book, An Apple and An Adventure. Win a signed copy of his book and an original print by Martin by entering our drawing contest. 

Without further ado, here's Martin!

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This was one of the earliest drawings of the cave girl and her triceratops pal. I added the text sometime later, when I decided I wanted to make a self-published zine using them as the main characters. When I first drew them, I was thinking of making a comic, but at the time, my kids were learning how to read. Consequently, I was reading a lot to them, and vice versa, so I thought why not make it a kids zine (the book thing came later) My friend John has a risograph machine, which is like a fancy color printer, and he agreed to help me print the zines. My friend Dave owns a comic book, The Secret Headquarters, here in LA and he could sell them there. Perfect!

These are 3 books that were huge inspirations to me, when I started. TOP: The Wonderful Egg by Dahlov Ipcar, bottom left: Moke and Poki in the Rain Forest by Mamoru Fuani, bottom right: Destined for Dizziness by Souther Salazar. Dahlov Ipcar is one of my all time favorites! Sadly, she died a few months at age 99. She was working right up until her last day, one of the hardest working artists around.

I made little booklets from regular old copy paper (folded over, stapled through the middle, then cut in half). In them, I would write a whole bunch of alliterative sentences using the letters of the alphabet. Then I would sketch out scenes to match them. I would do these sketches at a cafe for 30 minutes before work started. It was my favorite time of day, just drawing and drinking coffee. Nothing better!

Once I settle on the dimensions of the zine. I made a mock-up from sheets of 8.5 x 11” paper folded in half and stapled. I would re-sketch my initial sketch ideas to fit this format, then cut and paste them into the mock-up. This mock up gave me a rough idea of what the finished zine might look like. It also gave me a chance to edit words and/or pictures that I wasn’t happy with. This part was really messy but so much fun, cutting, pasting, taping things into a little booklet.

Computers. Once the mock up was done, I scanned it into the computer, page by page. Then I would clean up the sketches a little more in Photoshop. Then I would draw clean lines over that. I use a Cintiq, which is special monitor that you can draw with. Once the linework was done, I then colored each drawing in photoshop.

I then printed out the images on John’s risograph machine, using my old mock-up to determine which images go on which side of the paper. Then I took all those print outs to a copy place where they assembled them into booklets, stapled them, and trimmed them down to the final dimension. And voila, zines!

Matt Gagnon, Editor in Chief over at Boom, bought the zine version at Secret Headquarters. He liked it so much, he offered to re-publish it in a nicer, hard-cover edition. How could I say no! All the artwork was mostly done, all I had to do was clean up the lettering, draw some endpapers, and add some things to the cover. Here are some pics comparing the zine version to the book version.

More images of the final book!

We hope you enjoyed reading about Martin's process in creating An Apple and An Adventure, from inspiration to sketching, zine-making, and printed hardcover picture book! Don't forget to enter our drawing contest to win this book and an original piece of art by Martin. 

Drawing Contest! Win a signed book + original art by Martin Cendreda

Contest page in Issue 4: The Grow Issue. Enter to win An Apple and an Adventure and a piece of original art. 

Do you have a copy of ILLUSTORIA issue 4: The Grow Issue? If so, you can enter our drawing contest for a chance to win a signed copy of An Apple and An Adventure PLUS a piece of original art by the talented illustrator-animator-storyboard artist-comic book maker-author Martin Cendreda!

All you or your creative little one will need to do:

1. Draw what you think will grow in the empty space on the page (pictured above). Bonus points for creating a ditty for the cave girl to sing!

2. Send a photo or scan of your artwork to hello@illustoria.com. 

Contest runs from May 01, 2017 to July 15, 2017. (Deadline has just been extended so don't delay!) We will choose a winner on/around July 15, 2017. (For further details, see our contest rules.)

Here's a look at Martin's comic, "Seed Songs," which appears in Illustoria: The Grow Issue.

This adorable comic was inspired by the characters in his new book, An Apple and An Adventure, published by Boom! Studios. In this engaging book that grownups will enjoy just as much as little ones learning their ABCs, a cave girl and her triceratops set out on an adventure from A to Z and make new friends along the way. They meet all sorts of characters including galloping goliaths, nine newts, petite plesiosaurs, and more. Martin creates a fantastical landscape that will have everyone poring over the details--large and small, simple yet other-worldly. It's a total joy to read so don't miss out on this opportunity to get a signed copy + an original piece of art!

From Boom! Studios: An Apple and An Adventure uses rhyme and the ABCs to create an engaging world of wonder that's both educational and fun. 

Martin was kind enough to give us a behind-the-scenes look at the making of this book. Read all about his fascinating process sketching, developing, and creating his book here. 

So don't delay. Get out your copy of Illustoria: The Grow Issue, color and draw to your wild imagination's content on our contest page, and send in your entry here!

We look forward to seeing what you come up with. Good luck!!

Oakland Book Festival 2017

Don't miss the Oakland Book Festival this Sunday, May 21st, 2017, from 11am–6pm! ILLUSTORIA will be there with plenty of magazines--including the just-out issue 4: The Grow Issue -- and lotsa swag including temp tattoos, stickers, coloring pages, and pins. We'll be at booth 22 in the kids' activity area, where you and your creative little ones can color, craft, make zines and create your own custom bookmarks with us. Meet Joanne and Mark, the publisher and co-founders of Illustoria and craft and chat kids' lit with our team. We would love to meet you!

Check out the impressive list of authors at this not-to-be-missed annual event for literary lovers in the heart of downtown Oakland:

There are events and talks galore so check out all the happenings here. 

What: Oakland Book Festival

When: Sunday, May 21st, 2017

Time: 11am–6pm

Where: Oakland City Hall, Downtown Oakland

See you there!  

The Grow Issue: A Cover Comes to Life

We couldn't be more excited to announce that Issue #4 has arrived from the printer! The contents of The Grow Issue are as rich and teeming with life as the cover. I'll share more about all the amazing writers, artists, and makers who contributed to this issue soon. But for today I'd love to highlight the wonderful artist behind this cover and the making of it. 

Fave local artist and watercolorist extraordinaire Lindsay Stripling graces our cover with her lovely art depicting the flowers and insects that she remembers from long days spent playing in her grandparents' backyard in Lafayette during her childhood, and the flourishing flora she finds in Northern California. Lindsay is a master of her craft, who paints dreamy tableaus of scenes set in folk and fairytale worlds from her imagination. She tells us that the best way to tackle her paintings is to allow for mistakes, since they are impossible to avoid. As soon she messes something up, she just turns it into something else. Find her awe-inspiring work here. You'll also find Lindsay's gorgeous watercolors in another spot in this issue, accompanying our illustrated story A Brief History of Ultramarine Blue written by Alexis Joseph, pigment expert and founder of the swoon-worthy art supplies shop Case for Making in the Outer Sunset of San Francisco. 

Here's a look at Lindsay's issue 4 cover sketch, already so beautiful:

We knew we wanted the flora and fauna to contrast against a black background. Our creative director, Elizabeth Haidle, came up with this nuanced coloring of the masthead against black:

 Lindsay's final art in place with a mock cover design:

As much as we loved the simplicity of this cover, we knew we'd want to accommodate callouts for our delectable main features, so Lindsay filled out the space with added pea tendrils. We also included lettering so the plants could be identified on the back cover. 

And so...the final cover!

Elizabeth designed and illustrated the back cover to beautifully compliment Lindsay's art and the theme of nature and the outdoors, introducing the legend for curious kids (and grownups) to pore over. 

We hope you love how this cover turned out and the entire contents of this issue as much as we do! Find out more about all the goodies in issue 4, which includes contributions from creative duo Lisa Brown and Daniel Handler (aka Lemony Snicket); an essay on the making of The Wild Robot by Peter Brown, author of The Curious Garden; an inspiring, illustrated Q & Artist interview with illustrator Diana Sudyka; a new Literary Giants as Kids comic featuring Mark Twain; stories, art, DIY, and activities galore. Click here to see our full table of contents and a few spreads from The Grow Issue. Enjoy!

Join us at Children's Fairyland: Turn the Page! Festival

Come join us at our absolute fave storybook theme park for Children's Fairyland's Turn the Page! festival on Saturday, May 6th. Meet over 25 local authors and illustrators and come say hello to Illustoria's publisher Joanne Chan from 12:20–1:30 pm as she shares a behind-the-scenes look at the making of an arts & literary magazine for kids.

WHAT: Turn the Page! Children's Book Festival

WHEN: Saturday, May 6, 2017
             10am–4pm / ILLUSTORIA meet-and-greet @ 12:20–1:30pm

WHERE: Children's Fairyland
               699 Bellevue Avenue
               Oakland, CA 94610

Here's the full list of Turn the Page! authors and artists:

Who doesn't love a trip down nostalgia lane with their kiddos? Magic Keys, Happy Dragon, Willie the Whale, Alice in Wonderland, The Old Lady Who Lived in a Shoe, Anansi rides, puppet shows, plays, farm animals, and more...all in lovely downtown Oakland by the lake.

Photos: Fairyland & the Fairyland Archives 

Children's Fairyland is among the top Oakland spots for families with kids--right alongside the Oakland Museum, the Oakland Public Library, the Oakland Zoo, and Lake Merritt. So come by with your creative kids and join us for a lovely Saturday on May 6th. Hope to see you and your family there! 

Indie Bookstore Day w/ ILLUSTORIA + DIESEL Oakland

Mark your calendars! April 29th is Independent Bookstore Day (2017) and you'll find Illustoria at one of our absolute fave local bookshops, Diesel in Oakland! The day will be full of events and activities catered to your literary (and little one's) heart's delight. Grownups with creative kids, come drop in from 1-2 pm for a craft session with Illustoria. We'll make easy-peasy and totally original bound books and zines with kids, and there will be stamps and coloring for all. Take home bookmarks, pins, and other cool swag. We'll even have a temp tattoo station!

WHEN:   Saturday, April 29th, 2017 / 1-2pm

WHAT:    Indie Bookstores Day
                Kids' Craft Time w/ ILLUSTORIA

WHERE:  Diesel, A Bookstore
                5433 College Ave
                Oakland, CA 94618

Also check out these happenings at Diesel Oakland throughout the day:

10am - noon: Big Kid / Little Kid Juice Stand. Mimosas for the adults, and OJ for the kiddies. Books for everybody.

1-2pm: Kids' Craft Time with Illustoria. 

4-5pm: Literary Happy Hour. Our featured item this year is the IBD limited-edition, A Literary Cocktail Party. Pouring their signature cocktails from the book will be, Edan Lepucki -- Tequila Negroni; Novella Carpenter -- Beet Kvass Shots; and Jacqueline Luckett -- Dirty Martini. Cheers!

We couldn't agree more with this testimony to the relevance of indie bookstores today, from the staff at Diesel:

"Bookstores are unique places in the chaos and hubbub of our modern times. They are places where you can come to disconnect, relax, and enjoy a moment of silence, yet simultaneously they are also places where you can feel more engaged with and informed about the world around you. Bookstores embody dichotomy: antiquated yet ever-more-relevant, sanctuaries of knowledge but purveyors of distraction, nerdy yet sophisticated, esoteric and yet always welcoming. Cities across the nation have seen the resurgence of these oh-so-vital centers of conscience and community, and we want to celebrate with you! So come out and enjoy a day of browsing, reading, and reveling in all things book-related."

Come surround yourself with great books and let's celebrate ideas, crafts, and curiosity together. Here's to our thriving literary community. Yay, Oakland! Yay, Indie Bookstores Day! 

Women Who Draw, Write, and Inspire Us

Images left to right: Louise Bourgeois by Elizabeth Haidle (issue 2); sketchbook drawing by Lisa Brown (issue 3); watercolor portrait by Lindsay Stripling (issue 2); "Dream Before Building" by Lark Pien (issue 1); Beatrix Potter by Elizabeth Haidle (issue 3); Martha Graham by Marlowe Dobbe (issue 2); self-portrait by Nina Chakrabarti (issue 3); excerpt from El Deafo by Cece Bell (issue 1); "Hiroshima Mon Amour" by Britt Browne (issue 3)

Women's History Month is coming to a close, but we at Illustoria think every month should be women's history month! We are proud to pay homage to the courageous, intelligent, and rebellious women who have revolutionized their fields and empower us to dream big. Of recent, we've been thrilled to see collectives and movements such as Women Who Draw creating an inspiring platform for talented women illustrators. Today, we would like to take a moment to thank some of the amazing women who draw, write, and inspire us here at Illustoria.
 

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artwork © Lisa Brown

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cover art © Lisa Brown

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artwork © Lisa Brown

Lisa Brown
Lisa Brown, the stupendous illustrator behind our Issue 3 cover, is a critically acclaimed illustrator, author, and cartoonist who resides in foggy San Francisco. She is the mastermind illustrator behind Emily's Blue Period by Cathleen Daly and 29 Myths on the Swinster Pharmacy by Lemony Snicket and has written and illustrated the fantastic Depressed. Repressed. Obsessed. 3 Panel Book Reviews as well as Vampire Boy's Goodnight, The Airport Book, and How to Be. (And this is all just for starters!) Brown also featured her sketchbook and mini-drawing activity in Issue 3, which we love to pieces. Stay tuned for more highlights of Brown this spring, in our super-exciting-filled-to-the-brim-with-inspiration Issue 4: The Grow Issue! You can find more of her amazing work at http://www.americanchickens.com/. 

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artwork © Cece Bell

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images © Cece Bell

Cece Bell
If you haven't gotten your hands on the heart-melting and hilarious El Deafo by the genius Cece Bell, you might want to stop reading right now and run to the nearest book store immediately. El Deafo is a graphic novel memoir that tells the story of Bell's hearing loss and subsequent adventures with a clunky hearing-aid-turned-super-power. Alongside this Newbery Award Winner, Bell has published I Yam Donkey, Rabbit and Robot: The Sleepover, and Chuck and Woodchuck amongst many others.  We are so honored to have featured an interview with Cece in Issue 1 and a full length Q&A which you can read here. Check out more of Cece Bell's work on her website https://cecebell.wordpress.com. 

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artwork © Lark Pien; from "Dream Before Building" in Illustoria issue 1, The Beginnings Issue

artwork © Lark Pien

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sketchbook art © Lark Pien

Lark Pien 
Lark Pien is a Portland-based acclaimed illustrator and the amazing talent behind the Long Tail Kitty series (for which she won the Friends of LuLu Award) and Mr.Elephanter. Pien was the colorist of American Born Chinese by Gene Luen Yang and Sunny Side Up, two graphic novels for young readers that we could not recommend more highly. We are blown away by "Dream Before Building," a mini-comic she created for Issue 1, and cannot wait to share some new projects she's dreaming up for Illustoria. Find more of Pien's work at http://larkpien.blogspot.com/?view=classic. 

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artwork by © Elizabeth Haidle

artwork by © Elizabeth Haidle

artwork by © Elizabeth Haidle

Elizabeth Haidle 
Have you ever met an artist so talented you want to simultaneously: do cart wheels, bake them a 10-layered Boston cream pie, and hold a radio outside their window à la John Cusack in Say Anything? That's how we feel about our genius, prolific, and awe-inspiring Creative Director Elizabeth Haidle. In addition to spinning up magic at Illustoria, Haidle is the creator of Literary Giants As Kids, a fantastic series you can find in each issue of Illustoria, and illustrator of the dreamy Mind Afire - The Visions of Nikola Tesla, written by Abigail Samoun. We absolutely cannot hold our excitement for the release of I, Parrot, her most recent (breathtaking) graphic novel written by Deb Olin Unferth, which she is currently putting the final touches on. We love the ever-busy Haidle, whose work you can find at http://www.docucomix.com/ and  http://www.ehaidle.com/

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Cloth Lullaby by Amy Novesky, illustrated by Isabelle Arsenault

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Iomogen by Amy Novesky, illustrated by Lisa Congdon

Me, Frida by Amy Novesky, illustrated by David Diaz

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Georgia in Hawaii by Amy Novesky, illustrated by Yuyi Morales

Amy Novesky  
Amy Novesky is an award-winning children's book author and editor whom we adore five trips to the moon and back. Most recently, she has written Cloth Lullaby, a gorgeous tale of the illustrious, world-famous artist Louise Bourgeois, with stunning illustrations by Isabelle Arsenault. She has also written critically acclaimed books including Georgia in Hawaii, Me, Frida, and Imogen. We are so excited to have featured a full length interview with Novesky which you can find in issue 3. To read more about Novesky's work, check out http://amy-novesky.squarespace.com/.

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Laurel Snyder 
Laurel Snyder is a prolific, critically acclaimed children's author who makes us want to smile for days. She is the author of numerous, joyfully fun-to-read novels for children of which some of our favorites include Orphan Island and Bigger than a Bread Box. She has also written the gorgeous picture books Swan, the Life and Dance of Anna Pavlova and the adorable Charlie and Mouse. You can find Snyder in issue 2, with her biographical  piece "Martha Graham In Motion," illustrated by fantastic artist Marlowe Dobbe, about the revolutionary Martha Graham, the Mother of Modern Dance. Check out http://laurelsnyder.com/ for more work by this beloved author. 

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art © Lindsay Stripling for "The Best Invisible Thing" in Illustoria Issue 2

art © Lindsay Stripling

art © Lindsay Stripling

Lindsay Stripling
A phenomenal woman artist whom we couldn't admire more, Lindsay Stripling works from her studio in the Outer Sunset of San Francisco. We fell in love with her paintings the first time we laid eyes on them for their dreamy palettes, mystical settings, and ethereal subjects. Her folk and fairy tale-inspired narratives lead us into inner worlds that are rich and boundless. We're thrilled to announce that Lindsay's gorgeous artwork will grace the cover of our upcoming issue 4: The Grow Issue--so be on the lookout. Find more of Lindsay's work here: https://www.lindsaystripling.com/

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Ruth Kneass laying with the meticulously sculpted pieces of her Bay Tower mobile.  © Ruth Kneass

Blonde Driftwood © Ruth Kneass

Nine pieces in collage; a search-and-find activity in issue 3
© Ruth Kneass

Ruth Kneass
Driftwood artist and mobile sculptor Ruth Kneass creates stunning works of art that take years of patience, time, and skill to produce. She shares the story of her mother's influence and her inspiration growing up to be an artist in Illustoria issue 3. A true appreciator of beauty and nature, Ruth infuses her art and life with a feminine love, care, determination, wisdom, and strength that we find simultaneously awe-inspiring and reassuring. You'll find a treat in issue 3, where she disassembled one of her precious driftwood mobiles to create the most gorgeous search-and-find activity we've ever seen! Find more of Ruth's work here: http://www.kneassboatworks.com/

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self-portrait © Nina Chakrabarti

art © Nina Chakrabarti; from Nina's upcoming title My Collection of Collections: A Sticker Book

Nina Chakrabarti
We had the chance to interview talented illustrator and activity book creator Nina Chakrabarti and learn all about her inspiration growing up between Calcutta, India and the UK. Born to an English mother and an Indian father, Nina's vivid childhood memories of bright colored saris and streets clamoring with the sounds of trams, trains, and rickety rickshaws; Chinatown and Brick Lane in London; and museums and nature all inspire the joyful work she produces today. In issue 3, she talks about her process creating books such as Hello Nature, My Wonderful World of Fashion, and her upcoming title, My Collection of Collections that will equally inspire young artists and grownup ones. Fun fact: Nina doesn't keep sketchbooks but rather "scribbles on loose scraps of paper, post-its, and newspapers that eventually get tucked away in a box, put up on a wall, or thrown away"! We love her passion for life and her eclectic style, which encourages us to get outside, observe, and appreciate all the diversity our wonderful world has to offer. Find her work here: http://ninachakrabarti.com/

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These are just a few of the many amazing women whom we've had the chance to collaborate with over the course of our first three issues. At Illustoria, we are dedicated to increasing the visibility of female creatives by continually supporting and showcasing their work. Additionally, we are committed to promoting women's empowerment in the pages of our mag with stories of both world-famous and lesser-known female leaders from Beatrix Potter to Lee Bontecou. We hope that the stories in Illustoria and the artists behind them will inspire you and the next generation of strong, creative women for years to come.

Creator Crush: Yuliya Gwilym

artwork by © Yuliya Gwilym

artwork by © Yuliya Gwilym

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artwork by © Yuliya Gwilym

One day I was flipping through a draft of Illustoria Issue 3: Outside-In and Yuliya Gwilym's illustrations immediately caught my eye. The bold shapes and extraordinarily unique color palette struck a chord in me, as if my subconscious always wished and longed for Gwilym's unmatched style and then boom -- it was miraculously handed to me on a silver plater.

Yuliya's piece, "Axe Soup," in ILLUSTORIA issue 3: The Outside-In Issue. 

I became quickly obsessed with the graphic simplicity and dynamism of her artwork, reminiscent of the Soviet illustrations of Nathalie Parain and Suprematist Kazimir Malevich. Gwilym's accessible, energetic, and endlessly playful work will add an extra dose of happiness to your day. We're so lucky to have the chance to interview Yuliya, as well as showcase her work in Issue 3 and Issue 4 (which comes out this spring)! Make sure to catch more of Yuliya's work at http://cargocollective.com/yufrukt.  

What are you currently working on?
I’m currently experimenting with a flip animation book that tells a story about a little elephant. I’m also designing a little game kit for kids with special needs.

artwork by © Yuliya Gwilym 

Can you talk about your process of creating a project, from start to finish?
I start by talking about an idea I have with my partner or artist friends. I try to turn visuals I have in my head into words which usually helps me get a clearer idea. I then do a lot of rough sketches and after that go straight into finals, that way I have some room for experimentation and mistakes which sometimes bring the most fun results. I like to work with different media so my design process varies from time to time. 

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artwork by © Yuliya Gwilym

artwork by © Yuliya Gwilym

Where did you grow up? Where do you live now?
I grew up in Kiev, Ukraine. It’s a big but very cozy city, I spent my summers in the countryside hut built by my grandparents, helping grandma harvest tomatoes and pick up lost animals from the forest in my spare time. For the past 10 years I’ve been living by the North sea, in the Hague, the Netherlands. I definitely miss hot summers and sweet tomatoes but I love to live abroad -- exposure to other cultures brings out the best in people.

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photo by © Yuliya Gwilym

What were you like as a kid?
Its hard to say these things about yourself, my mum says I made friends with everyone wherever I went and was generally very open (which often included telling our personal family stuff to strangers). 

What were your favorite childhood books?
When I was very young I loved the poetry of Samuil Marshak, I knew most of his books by heart and they had beautiful illustrations by graphic artist Vladimir Lebedev who I still admire very much.

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Slonenok (The Elephant's Child) by Vladimir Lebedev

A bit later my favorite books were A Little Princess and The Secret Garden by Frances Hodgson Burnett, The Adventures of Family Mumin-trolls series by Tove Jansson and Karlsson On The Roof by Astrid Lindgren.

Did you have a favorite subject in school? A least favorite subject? 
I liked classes of drawing, crafts, mythology, choreography and biology. I really didn't like math…

artwork by © Yuliya Gwilym

When did you know you wanted to be an artist and writer?
In primary school I wanted to build hotels for homeless animals (there are a lot of stray cats and dogs in Ukraine) or be a vet. Later in high school I decided I want to be artist and designer.

Who or what inspires you?
My biggest inspiration comes from children, listening to the weird things they say. I love starting strange discussions with kids and seeing where it brings their adventurous minds. I also find animation and movies very inspiring, old things and folklore, stories from when my grandma was a little girl, I’m inspired by Japan and Japanese yokai, traveling and meeting new people.

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photo by © Yuliya Gwilym

What is the most challenging part about being an artist/writer/maker?
Constantly promoting your work, communicating the value, time and care you put into your craft to people who aren’t artists/makers themselves. Staying organised and being able to push forward and keep working even when you’re “not feeling inspired or motivated.”

When do you feel your most creative?
Just before I get into bed.

What advice would you share with young aspiring artists?
Try to be patient. When things seem slow, its not because you're not good it just takes lots of time. Make friends with other artists! It's so much easier when you're not alone and I find young artists’ community very supportive.

artwork by © Yuliya Gwilym

Giveaway! Art supplies + Issue 3

Get your hands on The Outside-In Issue plus these amazing art supplies by our issue 3 sponsor, Sakura of America. Kids and grownups will love drawing with Pen-touch paint markers. If you haven't read our review of these versatile, easy-to-use markers, check it out here. And Micron pens are our absolute go-to tool for letter writing, drafting, doodling, sketching, and drawing. 

Head to our Instagram post for giveaway entry details. Good luck!

Sakura's Pen Touch Marker Review

If you’re like me, the kind of person that makes a beeline for the pen section at an art store, and then lingers farrrr too long before making a purchase, than you too will understand that there is truly nothing more satisfying than a thick, inky marker. Finding a marker that is super opaque, saturated with color, lasts a long time, AND is shiny is a rare, rare thing. Pretty much the holy grail of markers. Well, you can call me King Arthur because the quest is over. Ladies and gentleman, I give you Sakura’s Pen Touch paint markers.

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Tee-dah! Wow, so beautiful right? While these markers will not provide eternal youth or instant nirvana; abundant happiness it can offer - I’ll promise you that much. These markers are extremely versatile. They can draw on pretty much any surface (glass, wood, porcelain, plastic, paper and metal) and will dry instantly. But it’s not regular ol’ ink coming out of the tip--- it’s super rich, opaque paint!

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They come in a range of sizes from 0.7mm (thin) to 2.0mm (super thick) which is great for creating and experimenting with variety of line widths. Packs come in metallic (gold, silver, and copper) and assorted colors (purple, blue, yellow, red, green, white and black).

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The ink flows from the chamber of the pen to the tip, so to get started give ‘em a couple shakes with the cap still on, then uncap. Depress the tip in an upright position to release any internal pressure. Press firmly on a piece of paper until the ink is released. (Be sure not to over-pump.) Occasionally, the tip will run out of ink, but fear not! Just continue to shake the marker and more paint will flow.

I’ve been using these guys on everything from protest posters to paper mache! Gatta say, they make nearly every project 100% cooler, and they’re waaayyyy faster to use than actual paint. You can achieve finer, smoother detail too. Just remember, these paint markers are permanent and will stain! So, best to use on non-precious objects, aka NOT the walls, hands, grandma’s hundred year old porcelain, etc.

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We're so excited to have Sakura sponsor Issue #4 of Illustoria, which will be on shelves this spring. Meanwhile, you can grab your Pen Touch paint markers and start drawing! 

**** NOW thru 3/31/17: Enter promo code SAKURA at checkout for a 10% discount off ILLUSTORIA subscriptions and gift subscriptions! ****